meta-scriptArtists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More | GRAMMY.com
Olivia Rodrigo performing in 2023
Olivia Rodrigo performing in 2023

Photo: Kevin Winter/Getty Images for iHeartRadio

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Artists Who Are Going On Tour In 2024: The Rolling Stones, Drake, Olivia Rodrigo & More

The year is just getting started, but 2024 is already stacked with exciting tours. Open up your calendar and start planning with this sprawling list of announced 2024 tours.

GRAMMYs/Jan 4, 2024 - 04:13 pm

Just a couple of years ago, live music still looked uncertain — would variant X, Y or Z derail the train for the umpteenth time? But in that regard, 2023 felt almost totally in the clear — and that's why it feels like the rubber band is stretched back for 2024, and it's ready to launch.

Sure, compiling every musical act who's touring in 2024 might be impossible. But GRAMMY.com's stylistic purview is far and wide: country, hardcore, soul, R&B, rap, indie rock, you name it. As such, we're giving it our best shot — and will continue to update the list as more tours are announced.

Without further ado, here's a major cross section of the 2024 touring landscape as currently announced — from Alvvays to Adam Ant, from Def Leppard to Danny Brown.

Laura Pausini: Laura Pausini World Tour
Jan. 6 - April 6
North & Latin America

Italian singer (and the Latin Recording Academy's Person Of The Year) Laura Pausini is venturing through North & Latin America in the spring.

Slowdive
Jan. 16 - May 18
U.S., Asia & Europe

The reunited shoegaze greats just released a well-loved new album, everything is alive — which is currently taking on new shades onstage. See them in 2024, on an extensive tour of Europe with Japan dates, and then a plethora of U.S. stops.

Madison Beer: The Spinnin Tour
Jan. 17 - June 13
UK, Europe, & U.S.

The pop, hip-hop, EDM, and R&B star released Silence Between Songs in 2023; she'll support it with The Spinnin Tour, which heads stateside from Europe across the spring of 2024.

Drake with J.Cole: It's All A Blur - Big As The What?
Jan. 18 - March 27
U.S.

Hip-hop kingpins Drake and J. Cole are headed on a co-headlining tour; some Drake gigs will be J.-Cole-less.

Ana Tijoux
Jan. 18 - April 13
North America, UK, & Europe

Chilean musician Ana Tijoux hasn't undergone a world tour since 2018, but she's about to change that with a run of European gigs following the release of VIDA, her first album in several years. .

Melanie Martinez
Jan. 19 - June 27
North America, Asia & Australia

Alt-popper Melanie Martinez will segue her PORTALS Tour into The Trilogy Tour, which will see her revive her alter ego "Cry Baby." See her, in this persona, in the U.S. and across the pond.

Mitski
Jan. 26 - June 6
UK, Europe, & U.S.

Fresh off the release of The Land is Inhospitable and So Are We, Mitski has announced a jaunt across North America with Tamino, Sunny War, Julia Jacklin, and Sarah Kinsley.

Gloria Trevi: Mi Soundtrack World Tour
Jan. 26 - Sept. 22
U.S.

Known as the "Supreme Diva of Mexican Pop," Gloria Trevi is embarking on a world tour to top off the year, as she has recently announced the first leg.

Tinashe: BB/ANG3L U.S. Tour
Jan. 31 - Feb. 15
U.S.

Actress, dancer and singer Tinashe will support her new album, BB/ANG3L, with a run of mostly East Coast dates.

Militarie Gun
Jan. 31 - June 1
North America

Fresh off a tour with Scowl, hardcore-adjacent, brilliantly melodic punks Militarie Gun continue their rise with a 2024 North American tour.

Mariah The Scientist: To Be Eaten Alive Tour
Feb. 1 - May 4
UK, Europe, & U.S.

R&B favorite Mariah the Scientist has been raring to return to the stage: "I miss hearing my fans scream my lyrics at the top of their lungs. I miss seeing all their faces," Mariah told Rolling Stone. "I miss all the different cities. To my fans, I miss us. I'm so ready to eat you alive." She'll be in Europe and the U.S.

Marc Anthony: Viviendo Tour
Feb. 9 - March 9
North America

Latin and Salsa star Marc Anthony can't hide his excitement for his upcoming tour: "See you in 2024 with many moments to write about," Mark shared in his Instagram tour announcement. "We are going to live nights like no other."

Juanes: Vida Cotidiana World Tour
Feb. 13 - March 30
North America

In support of his Vida Cotidiana album, Colombian rock legend Juanes is making stops around North America to celebrate the project.

Los Angeles Azules: El Amor de mi Vida Tour
Feb. 13 - April 20
U.S.

Marking their epic return to the United States, the Cumbia sibling group are kicking off their tour in support of their upcoming album —which is set to be released this year.

Jon Batiste: UNEASY Tour
Feb. 16 - April 27
U.S.

Five-time GRAMMY winner and 20-time nominee Jon Batiste isn't known as a traditional touring act — extemporaneous solo performances and orchestral works tend to be his jam. That's what makes his upcoming North American tour so enticing — how will this consummate shape-shifter approach the headline-touring model?

Chelsea Cutler: The Beauty Is Everywhere Tour
Feb. 16 - March 30
North America

Singer/songwriter, multi-instrumentalist, producer, and engineer Chelsea Cutler has revealed a 2024 headline tour titled The Beauty Is Everywhere Tour, in support of her new album Stellaria.

Red Hot Chili Peppers: Unlimited Love Tour
Feb. 17 - July 30
North America

The veteran rockers are still supporting 2022's Unlimited Love and Return of the Dream Canteen; in 2024, they'll go out with Kid Cudi, Ice Cube, Ken Carson, Otoboke Beaver, Seun Kuti, Wand, and Irontom.

PinkPantheress: Capable of Love Tour
Feb. 20 - April 30
North America, UK & Europe

The TikTok sensation turned pop phenomenon will head out on her Capable of Love Tour, following the release of her debut album Heaven Knows. Rising artists Bktherula and Kanii will join her.

Niall Horan
Feb. 21 - July 31
North America, Europe, & Australia

The Irish singer/songwriter has announced "THE SHOW" LIVE ON TOUR 2024 – his biggest tour yet and first headline run since 2018's Flicker world tour.

Bad Bunny - Most Wanted Tour
Feb. 21 - May 26
U.S.

Bad Bunny's Most Wanted Tour will take him across 47 dates across North America — including three shows in Los Angeles, Chicago and New York.

Olivia Rodrigo: 2024 Tour
Feb. 23 - Aug. 14
UK, Europe, & U.S.

Olivia Rodrigo will make a jaunt around the world with support from the Breeders, Chappell Roan and Pink Pantheress.

Sampha: North America 2024 Tour
Feb. 23 - April 14
North America & Australia

South London singer/songwriter Sampha recently released a music video for "Can't Go Back," from his new album, Lahai. With it come North American dates for 2024.

Mon Laferte: Autopoiética Tour
Feb. 29 - June 2
U.S. & Latin America

Chilean artist Mon Laferte's new album, Autopoiética, has been released to a clamorous response. In 2024, she'll bring the music across Latin America and the U.S.

Idles
Feb. 29 - Dec. 7
North America, UK, & Europe

The purveyors of wild-eyed rock have extended their previously announced 2024 international tour with new dates across North America, Mexico, the UK, and Ireland.

Styx & Foreigner: Renegades & Juke Box Heroes Tour
March 1 - Nov. 9
North America

Don't miss this classic rock heroes together, for the last time ever. Check out dates, along with heartfelt statements from both bands.

Nicki Minaj: Pink Friday 2 Tour
March 1 - June 7
UK, Europe, & U.S.

The Harajuku Barbie is back with a new album, Pink Friday 2, which landed Dec. 8. How will tunes like "Super Freaky Girl" and "Last Time I Saw You" translate to the stage? Don't miss her North American and European tour, which stretches from late March to early June.

Danny Brown: Quaranta '24 Tour
March 3 - April 14
North America

The idiosyncratic MC is riding high off the release of his introspective new album, Quaranta. He's heading across North America in support of it.

Don Omar
March 7 - April 21
North America

The reggaeton pioneer has announced he will be back in arenas in 2024 and bringing fans "Back to Reggaeton," a 20-date trek across North America that spans the artist's decades-long career.

Judas Priest: Invisible Shield Tour
March 11 - May 22
Europe, UK, & U.S.

Metal titans Judas Priest are still going strong; they just announced a Spring 2024 U.S. tour with supporting act abaton.

Busta Rhymes
March 13 - April 21
North America

Rap heavyweight Busta Rhymes has announced his Blockbusta Tour, which will bring him across the U.S. and Canada starting in March.

Tim McGraw: 2024 Standing Room Only Tour
March 14 - June 27
U.S.

The country great's upcoming jaunt kicks off on March 14 and will stop through more than 40 cities. Carly Pearce will be a special guest.

Bleachers: From The Studio To The Stage
March 19 - June 15
U.S. & UK

In late spring and early summer 2024, the Jack Antonoff-led rockers are hitting the road in support of their self-titled new album, which arrives March 8.

Tyla
March 21 - May 28
UK, Europe, & U.S.

The unstoppable, GRAMMY-nominated R&B, amapiano singer Tyla will venture across the UK and Europe in spring 2024.

Adam Ant: ANTMUSIC Tour
March 21 - May 11
U.S.

English post-punk and new wave legend Adam Ant is headed out on his ANTMUSIC tour, his first U.S. trek in five years. The day after it wraps up, he'll appear at the Cruel World 2024 festival.

The Slackers
April 4 - April 14
North America

The revered, long-time purveyors of ska, reggae, dub and more have announced a spring tour across the US and Canada.

Alvvays: US Spring Tour 2024
April 4 - Aug. 8
North America, UK, & Europe

The indie darlings will traverse the United States in April and May, then head to Europe in late June for festival dates.

Tate Mcrae: Think Later World Tour
April 17 - Nov 21
North America, UK, Europe, & Australia

Multi-platinum singer/songwriter Tate McRae will support her second album, THINK LATER, with a world tour in 2024.

The Rolling Stones: Hackney Diamonds Tour
April 18 - July 17
North America

If the Rolling Stones' secret NYC show with Lady Gaga was any indication, the Stones' stadium run around Hackney Diamonds — their first album of new material in 18 years — will be one for the books. For now, only stateside shows have been announced, but keep your eyes peeled for an expansion.

Hozier: Unreal Unearth Tour
April 20 - Sept. 17
U.S.

Singer/songwriter Hozier is undertaking a headline tour of the UK and Ireland next summer, supporting his third album Unreal Unearth.

Alanis Morissette with Joan Jett and the Blackhearts: Triple Moon Tour
June 9 - Aug. 10
North America

Two female pioneers are hitting the road, with special guest Morgan Wade. See where they're heading in the U.S. and Canada.

Pink: Summer Carnival Tour 2024
June 11 - Nov. 23
North America, UK, & Europe

Pink will continue to support her new album Trustfall with her Summer Carnival tour, which returns to North America in 2024. 

The Killers
June 12 - July 11
UK & Ireland

The Killers have reached that stage where they're looking back on the hits. Following the recent release of their best-of compilation album Rebels Diamonds, shout along at these UK and Ireland dates.

Def Leppard, Journey, Steve Miller: 2024 Summer Stadium Tour
July 6 - Sept. 8
U.S.

More oldies favorites, banding together for a U.S. stadium tour in 2024: Def Leppard and Journey will be near you soon. In select markets, Heart and Cheap Trick will also appear.

Earth Wind & Fire and Chicago: Heart & Soul Tour 2024
July 10 - Sept. 7
U.S.

These retro, AOR favorites are hitting the road together for the Heart & Soul Tour 2024, including an encore with both bands on stage. Check out the North American dates.

Sepultura: Farewell Tour
Oct. 30 - Nov. 23
UK & Europe

The Brazilian metal heroes are calling it quits — but not before a final trek, just in time for their 40th anniversary.

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Shy One press photo
Shy One

Photo courtesy of Prism Artists

list

Meet The Artists Bringing Back UK Jungle: Nia Archives, SHERELLE & More

First developed in the 1990s, a new generation of UK musicians — particularly queer individuals and women of color — are reviving jungle music. From Tim Reaper to PinkPantheress, envelop yourself in the experimental sounds of the genre.

GRAMMYs/Jul 8, 2024 - 03:19 pm

In the early 1990s, a bombastic new type of music was emerging in the underground Black British scene of London. Jungle was a frantic mixture of breakbeats and reggae featuring fast beats that splintered into myriad directions, interspersed with vocal samples.

Thanks to pirate radio stations, jungle saturated the streets of London’s predominantly Black, working-class neighborhoods. Jungle was a sound of escapism, celebration, community, crafted by the children of immigrants of post-war Britain.

Junglist historian Julia Toppin notes in her essay "Tech, Language and Riddim: From Jungle to UK Drill" that jungle "snatched bites from young Black Britain’s sonic palette of genres: reggae, hip-hop, pop, house, soul, RnB, groove, punk, jazz, folk, and classical," with artists like Goldie, Shy FX, A Guy Called Gerald, General Levy leading the scene. By the latter part of the decade, jungle offshoots like drum and bass gained prominence, causing the jungle scene to gradually fade into the background.

Today, a new generation of UK musicians are waking up the scene — a revival spearheaded by queer individuals and women of color. As contemporary junglist Nia Archives told GRAMMY.com, jungle is "anything over a breakbeat" — it simply refuses to conform: "The breaks have so much room to go in whatever direction you want. You can go really heavy, or you can go really light and atmospheric," she said.

It’s a flexibility that she takes full advantage of across her releases. Nia Archives layers  beats with everything from pensive, thoughtful lyrics and RnB melodies ("Cards on the Table", "So Tell Me"), to rave abandon ("Baianá", "Forbidden Feelingz", "Unfinished Business")

Nia Archives is taking her debut album, Silence is Loud on the road, stopping at summer festivals including Chicago’s Lollapalooza before touring the U.S. in the fall. She is one of many contemporary jungle artists boldly experimenting with unrestrained beats, earth-shaking basslines and intricate percussive patterns to breathe new life into the pulsating rave scene.

Here are seven other artists who are bringing jungle back.

SHERELLE

Former Mixmag photographer SHERELLE gained widespread attention after a 2019 Boiler Room viral set, followed by the release of "JUNGLE TEKNAH" in 2021, which layers piano house chords onto jungle beats. Her latest single, "Henry’s Revenge," features ethereal synths over dramatic bass drops.

Fresh from a completely sold-out international tour, SHERELLE will play a New York Boiler Room set on July 14, alongside Afrobeats star Amaarae and UK rapper Giggs. 

Sully

One of the slickest in the game, Sully is a pioneer of today’s revival and has been on the scene since 2005. His beats are methodical, with tight percussion flawlessly mixed into hours of ecstatic jungle harmony. On 2024 single "Nights", he teams up with jazz singer Sâlo to create a dreamy and contemplative dancefloor meditation.

He continues to inject energy into the club, with massive sets featuring the likes of grime MC Flowdan and B2B’s with fellow junglist Tim Reaper, and is playing several UK festival slots over summer.   

GROVE

GROVE harnesses jungle’s unmatched energy to voice political despair. "The stinking rich families, you know how they anger me," they spat on last year’s single "Stinkin Rich," where trippy beats erupt into a heavily distorted chorus.

Their 2022 breakout hit, "Feed My Desire," is sensual, with hushed whispers and soft verses underscored by blaring basslines, demonstrating GROVE's mastery of mood — ranging from rage to seduction.

PinkPantheress

PinkPantheress didn’t come up through a club or rave scene, by anonymously uploading songs to TikTok, which she made in her bedroom during the COVID-19 pandemic. Her sped-up vocals and luscious hooks nodded to the heyday of 2000s UK Garage (UKG) (a jungle offshoot), quickly drumming up a viral following online.

Last year, the 23-year-old broke into the U.S. thanks to the massive UKG track "Boys A Liar pt 2" featuring Ice Spice, which now has over 200 million views on YouTube. A lover of throwback genres and a fan of jungle veterans like Shy FX, PinkPanthress combines breakbeats with pop melodies and emo guitar riffs, a delicious mix that’s made her one of Gen-Z’s fastest-rising pop stars.

Tim Reaper

Tim Reaper is a London native who has pushed the jungle revival for over a decade. His music includes reggae-influenced ragga samples (one of jungle's key influences), chill synths, and can go both hard and soft.  

In 2020, Tim Reaper launched club night Future Retro to showcase London’s budding scene. However, the pandemic lockdown led the event to morph into a new-skool jungle record label that highlights some of the genre's hottest artists, including Sully, Mantra, and Decibella.

Shy One

London-based DJ Shy One has been making music since she was a teenager, coming up through the ranks as a selector on legendary Hackney-based online radio NTS Radio.  

Her music is shaped by grime, soul, house and jungle, and she’s taking her versatile sets to a handful of European festivals this summer. Her latest single, "Gyallis Spiral," combines rubbery bass lines and scattered synths, giving it a uniquely hyper-futuristic, spacey feel.

LCY

LCY is an artist and owner of the experimental label S7NS7N whose music is, by design,  indescribable. Their tracks are leftfield and surreal; the mere act of listening is an out-of-body experience.

Their 2023 EP He Hymns is a celestial exploration of club music hinged on breakbeats, heavy bass, disorientating drops and haunting vocals. You’re not sure what’s going on, but jungle is one of the many genres that form a kaleidoscope of their mind-bending sounds.

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Kehlani press photo
Kehlani

Photo: Mia André 

interview

Crashing Into The Present: How Kehlani Learned To Trust Their Instincts And Exist Loudly

"I want this next batch of music to feel like the most fiery parts of me," Kehlani says of her new album, 'Crash.' The singer/songwriter speaks with GRAMMY.com about embracing the moment and making an album she can headbang to.

GRAMMYs/Jun 20, 2024 - 01:07 pm

After finishing the first mixes of their new album, Kehlani knew exactly what she needed to do: head to Las Vegas. 

The L.A.-based, Oakland-born singer/songwriter had always identified with Sin City: "I’m full of juxtapositions," she tells GRAMMY.com. "Vegas is this crazy bright light city in the middle of a vacant desert that has weddings and also strippers." Fittingly, Kehlani harbored a very Vegas-like image in their head while creating Crash, a record built on blaring neon, glowing smoke, and the highest highs.

Crash drops June 21, and is Kehlani's fourth solo album. She burst onto the scene in 2009 as a member of teen sextet PopLyfe, but their 2014 debut solo mixtape Cloud 19 announced a far more complex character. Their debut full-length, SweetSexySavage, was released three years later to critical acclaim, with two more albums and a handful of platinum-certified singles following. As if that weren’t enough, Kehlani added acting, appearing in "The L Word: Generation Q" and a cameo in Creed III. 

And while Crash embodies the evolution and growth through all those experiences, the record builds a hyper-real language all their own. Beyond any sense of R&B or pop, soul or hip-hop, Crash finds Kehlani chasing passions that refuse to fit in any box, shifting multiple times within a track — refusing to focus on anything but the moment. 

"A crash isn't anything from the past. It isn't the anxiety of what's about to happen," she says. "It's the height of the moment. It's right now."

Nearing the release of Crash, Kehlani spoke with GRAMMY.com about finding inspiration from international music, getting their five-year-old to sing on the album, and their need to stage dive.

What’s it like living in Los Angeles after growing up in the Bay Area?

I moved to L.A. when I was about 17. I had already left the house. I left the house at 14, and by the time I was almost 18 it was the appropriate time for me to situate in a new place. L.A. and the Bay are like cousins. Do we have differences? Absolutely, things that are fundamental to us, but when you leave California, you can really see that we're just like a big family.

Had you been dreaming of L.A. as a place where you could pursue art? Were you already set on that goal?

It was the closest place that a young, very broke person could go and work in music. I'm sure there were other places with musical homes, musical cities, but if all I had to do was get on a $15 bus and go find someone to stay with in L.A., I was gonna do it for sure.

That’s the same ambition that I feel drives this new record, which is just so dense and full of surprises. That includes the lovely retro radio intro to "GrooveTheory," where you move from this ‘60s pop feel to the present. That’s such a smart way to foreground your evolution.

I think the second that we made that song and then turned it into ["GrooveTheory"], I was like, This feels like it encompasses where I'm headed, this whole new sound. 

Once that radio dials in and it comes in with R&B elements, it's producing where I'm headed, but also remembering that my core hasn't changed. Especially the energy of what I'm saying in the song, like, "I'm kind of crazy," it's introducing this energy difference on this album. I feel like that's the biggest change, and that's what's so prevalent in this whole rollout. Energetically, I'm on a whole different type of time.

You can sense it. 'Crash' feels really rooted in self-expression and personal growth, and when you listen to it as a whole, it really does seem like an evolution story. Beyond just the genre and style, how do you feel the way that you've expressed your true self has shifted over the years?

Thank you! That's been the feedback I've gotten from pretty much everyone who's listened, and I don't know what I expected, but it wasn't this. I have realized the public's understanding of me and the general consensus for so long, and I also realized how multi-faceted I am to people. 

People get really confused when I express all the sides of my personality. They’re either, like, "Okay, she makes really sweet love songs," or "We've seen you be political, we've seen you come out, we've seen you be a family member." And then there's a lot of people who are, like, "I feel like she's f—ing crazy. I've seen her in multiple relationships. I've seen her be angry. I've seen her get online and cuss people out." 

I want this next batch of music to feel like the most fiery parts of me. I want it to feel like the most present and energetic parts of me. I don't want anything to feel somber. I don't want anything to feel reminiscent. I think a lot of my albums in the past have been me looking back, and sitting in that feeling and detailing it. I just wanted [this album] to feel right here, right now, which is why the title came about. A crash isn't anything from the past. It isn't the anxiety of what's about to happen. It's the height of the moment. It's right now.

That’s unfortunately a story you hear too often about artists of color — that essentialization, where you can only be seen as one thing. R&B often gets hit with those same issues. Throughout your career you’ve stood up to those expectations, and "Better Not" on this album is such a good example of that. It’s a left turn, a stylistic contrast and an open conversation with the listener. You cleverly fuse that intentionality with a voice that’s stronger than ever.

In the past, I have had moments where I would make the song and [start recording], and there would be so many versions of each song on different microphones, recorded in different places.

"Let me try vocal production. Let me try to go back and work with this version again." I went back and did vocal production with Oak Felder, who did all the vocal production on SweetSexySavage. When I come back to some of my favorite vocal production moments, it was moments like "Distraction" or "Advice" or "Escape" — songs on my very first album — and I wanted to get that feeling again. Where it's lush where it needs to be, but also that I really mean what I'm saying. 

That started with the approach in the songwriting. Once I had the songs and I had to go back and deliver them, I had enough time to listen and listen, to learn the songs and identify with them. We would make music all day and then go out, and we would be in this sprinter van on the way to going out, and, like, bang, the songs we just made, the energy was just different. It allowed me to be present in a different way where my voice is able to show up like that.

Learn more: R&B Isn't Dead: Listen To 51 Songs By Summer Walker, Josh Levi & More Artists Who Are Pushing The Genre Forward

Which again ties perfectly to crashing into the present. As someone from South Africa, I love that the other guests that you included represent different cultural viewpoints. You worked with Young Miko from Puerto Rico, Omah Lay from Nigeria. Having that musical dialogue is so powerful.

We had so many conversations about how America's in the backseat often when it comes to music. We have our moments, and it's fantastic, like Beyoncé’s Cowboy Carter. There's a culture that is super American, that is Black, that historically needs to be dived into. It needs to be shown that we do have something here. 

So many people that don't speak Spanish bang Bad Bunny all day. Amapiano’s taking over; Tyla’s going up. It's really not here. So that wasn't a conscious choice. It's just what we've all been listening to, what we've been loving.

Read more: 11 Women Pushing Amapiano To Global Heights: Uncle Waffles, Nkosazana Daughter, & More

Speaking of guests, I wanted to ask about your daughter, whose voice is on "Deep." Was she just in the studio and you got her singing?

So those vocals on that, that’s actually my little sister and my goddaughter. And [my daughter] was in the room and she started singing along. She has perfect pitch; she's always freestyling or singing or making something up. 

I was like, "You want to just go sing on it?" What's on there is her first take. Literally. She did it the first time, all the way through, perfectly. I was like, "Well, that's it, guys. I can retire." 

That track is so lush. It feels so alive. Were you working with a full band?

[Producer] Jack Rochon, who I did a lot of the music with, he just is a freaking genius music whiz. Honestly, he's one of the most humble people that I know, and deserves credit for how amazing a lot of this album is.

Talking about touchstones, there's a Prince energy to the title track. Did you have any new inspirations or influences for this record?

Thank you! My main focus for this album came from going on tour for my last one and making such a pretty, sweet, intimate album, and then playing some of the biggest venues of my career. At some point I had to rearrange the setlist to add in a lot of the album before that one, because it was just more energy on the stage. By week two of tour, the setlist had completely changed. I knew that I was playing venues on this next tour that I've dreamt about, places that I can't fathom that I'm playing, like Barclays Center. 

I do a lot of things for, like, my inner child, and this is such a move for my inner child. Like, You're about to go play Barclays. Do you want to look back and say, ‘I rocked out and played Barclays’? I'm a person who headbangs on stage. I stage dive. I wanted to create an album that would ring through a venue like that. I want people to be engaged again. I'm not looking for the lighters and the somber, holding each other — which will occur regardless, because it's a me show. 

But I really wanted people to be in their bodies, and their heart’s exploding and the ground’s shaking. So that's what we accomplished. I wanted to have fun. This album is so fun to me. It’s a place of fire in my heart.

It took me a second to get the word play on "Eight." I loved the track, and then suddenly I was like, 'Oh… I knew there was something raunchy going on here.'

[*Laughs.*] "Eight" was super fun, and shoutout to the boys that I did it with, because they made it everything for me. 

I didn't come up with the wordplay. My boys did. Like, "This is how you talk!" I was like, "It is! This is perfect." Once I got in to fix things, add things, add my own spin, and finish writing, my favorite part was that it sounds like a Brandy song. She's my favorite.

I also wanted to ask about the Nina Sky sample on "After Hours."

That was mine. I was like, "What can we flip that when it comes on, my generation loses their mind?" And for me, every single time that Nina Sky comes on in the club, everybody's like "Woo!" And then you see how many songs were made from that same sample, and they're all songs that make us lose our minds. 

I went into the room with the producers, and I was like, "So, I want to flip this, but I want you to make it to where it doesn't become one of those where the whole thing is just a sample."

Similarly, "Lose My Wife" balances breeziness with high emotional stakes. Is finding a balance like that just natural for someone so capable of juxtaposition?

The second that we established that [the record] felt like Vegas, I knew what components were missing from the energy of how I feel the second my car crosses the line into the city of Las Vegas. I knew I was missing that feeling of the next morning when you realize you went on this high and you come down. I wanted to create these scenarios that weren't necessarily applicable to me, but captured that emotion. I've been there before, and I want people to be like, Damn, I've been there before. I know this feeling. 

I recorded that song at 4 in the morning with a sinus infection. The second that we finished it, everybody was like, "You can never re-sing that. Don't try to make another version, you're not gonna be able to sound like that again." All the chatter in the background of that song is really everybody who was in the studio that stayed up to just hang out. We had the tequila out, it was perfect. That was probably one of my favorite moments of making the album.

It takes a while as an artist to reach a place where you can capture those moments. You said before that people try to figure you out, and I mean this in the best possible way, but it feels like now you don’t care if they can’t figure you out.

I don't give a f—anymore, yeah. And that was a very important thing for me to learn. I used to care so much, and I would spend so much time explaining myself online, in music, in interviews, on stage. I realized that you're damned if you do, damned if you don't. 

I've been so forward-facing with my heart my entire career that I've left a lot of room for people to consistently pedestal me and then critique me, for people to want to tear me down. I realized I'm just being present, here, existing loudly in front of a billion people, and whichever way that goes is how the cookies gonna crumble. Me giving a f—? I'm the only one it's affecting at this point, for sure.

Angélica Garcia's Intuition: How 'Gemelo' Was Born By Embracing L.A., Ancestry & Spanish Language

Metro Boomin Performs at Future & Friends' One Big Party Tour in 2023
Metro Boomin performs during Future & Friends' One Big Party Tour in 2023

Photo: Prince Williams/Wireimage 

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Metro Boomin's Essential Songs: 10 Must-Know Tracks, From "Creepin" To "Like That"

The 2024 GRAMMY nominee for Producer Of The Year is one of hip-hop's most in-demand minds. Between his collab albums with Future and some highly debated beefs with rap's biggest stars, it's the perfect time to revisit the Metro-verse.

GRAMMYs/Jun 4, 2024 - 01:38 pm

Metro Boomin has spent more than a decade redefining rap music. The gloomy, 808-induced trap beats that flood radio airwaves and blare from nightclub speakers are a symbol of his influence. But now, the Atlanta-based superproducer is on one of his biggest musical runs to date.  

In April, Metro released the second of two joint albums with Future, hinted at a third release this year, sold out a concert at the Kundalini Grand Pyramids in Egypt, and clinched the No. 1 spot on Billboard’s Hot 100 with "Like That" featuring Kendrick Lamar. He also delivered a first-of-its-kind instrumental diss aimed at Drake called "BBL Drizzy," accusing the Toronto rapper of going under the knife.  

The diss was in response to Drake’s "Push Ups" and subsequent disses toward Kendrick Lamar. "Metro shut your hoe ass up and make some drums" he rapped. The verbal blow inspired Metro to release the hilarious instrumental, which he encouraged fans to rap on for a chance to win a free beat.  

Months before the feud, Metro celebrated two nominations for Best Rap Album and Producer of the Year, Non-Classical at the 66th GRAMMY Awards. While he didn’t take home a coveted golden gramophone, the momentum has elevated his career to new heights.  

Before the St. Louis-bred producer kicks off the We Trust You tour with Future on July 30, revisit 10 of Metro Boomin's biggest releases.  

"Karate Chop" (2013) 

A 19-year-old Metro crafted his first charting single right before making a life-changing move to Atlanta. With piercing synths and bubbly arpeggios, the song was the lead single for Future’s highly anticipated sophomore album, Honest. 

But Metro, a freshman at Morehouse College at the time, wasn’t sold on its success. "I never really like it," Metro told XXL. "Then every time people would come into the studio, he would always play the record and I was like, ‘Why are you so stuck on this s—? We have way harder records.’"  

But after cranking out a new mix on the original track, "Karate Chop" went on to become his first placement on a major label album. The remix with Lil Wayne further elevated the record and, by virtue, Metro’s profile as a musical craftsman.  

"Jumpman" (2015) 

 Metro mastered the late-summer anthem in 2015 with "Jumpman." The song was the most notable hit from Drake and Future’s collaborative mixtape, What a Time to Be Alive, and went on to shut down bustling nightclubs and obscure strip joints. And while the record didn’t perform as well as other songs on this list, it secured Future his first Top 20 hit.  

The song — which features Metro’s signature bass and a screeching raven sound effect — also saw a streaming boost after an Apple Music commercial featuring Taylor Swift rapping to the song. According to Adweek, the campaign helped generate a 431 percent increase in global sales 

 What makes "Jumpman" even more special is that a collab between Future, Metro, and Drake may never happen again. Reportedly, the duo is at odds with Drake because the OVO artist decided to link with 21 Savage on Her Loss instead of doing a follow-up project with Future.  

"Father Stretch My Hands Pt. 1" (2016) 

"Father Stretch My Hands Pt. 1" is the song that set Kanye West’s album, Life of Pablo, ablaze. Opening with a clip of gospel musician and singer T.L. Barrett’s Father I Stretch My Hands,” Metro’s signature producer tag kicks the record into full gear. The pulsating synthesizers and bouncy percussion match West’s raunchy and sexually explicit lyrics.  

Metro’s production received significant praise, with several publications pointing to his contributions on end-of-year listings. And in the eight years since its release, "Father Stretch My Hands Pt. 1" has been certified six times platinum by the Recording Industry Association of America, making it one of Ye’s most-sold records of all time. 

"Congratulations" (2016) 

After the success of "White Iverson," a young Post Malone was on the hunt for the hottest producers in the rap game. He managed to land Metro, who worked with fellow producers Frank Dukes and the prolific Louis Bell on the triumphant trap record "Congratulations."  

On a 2022 episode of the podcast "Full Send," Metro revealed that the celebratory song was made after watching the world’s greatest athletes eclipse historic feats of their own. "I remember the Olympics was on TV, and just how the music was sounding, it sounded like some champion s—," he said.  

"Congratulations" marked Post Malone’s second Top 20 hit following his debut, "White Iverson." The song was certified diamond after totaling more than 11 million combined sales. Today, it remains one of Metro’s biggest achievements.

"Bad and Boujee" (2017) 

Fueled by virality and a shoutout from Donald Glover at the 2017 Golden Globes, the Migos and Lil Uzi Vert’s "Bad and Boujee" landed Metro Boomin his first No. 1 Billboard hit as a producer.  

The song has every element Metro fans have grown to love: moody keys, hard-hitting bass, and plenty of room for the artists’ adlibs to pierce through the track.  

Two months before its eventual ascension, the song had a steep hill to climb atop the Billboard charts. But Metro’s production and the chemistry between Quavo, Offset, and Uzi helped the record shoot up to its rightful place. It continues to garner praise In the years since its 2016 release, too. It was ranked No. 451 on Rolling Stone’s "500 Greatest Songs of All Time" list 

"Mask Off" (2017) 

When "Mask Off" dropped in 2017, it scorched the Billboard charts. Hip-hop was flirting with flutes (as heard on songs like Drake’s "Portland" and Kodak Black’s "Tunnel Vision" — another Metro-produced beat) — but "Mask Off" stands out as the biggest song of the short-lived era.  

Metro infused jazz-like undertones to perfectly meld the flute lick into the dark and mystic beat. The record led to the remix with Kendrick Lamar, with his verse breathing new life into the already-seismic hit. It’s now certified nine times platinum.  

Years after the song’s release, Future said "Mask Off" initially put radio programmers in disarray. In his East Atlanta rapper’s Apple Music documentary The WIZRD, he revealed that the song dropped before Carlton WIlliams’ "Prison Song" sample was officially cleared. "Out of all the songs, ‘Mask Off’ wasn’t even legit," he said. "The s— was on the radio, they’re thinking it’s not a sample, but it got so big they were like, ‘It’s a sample.’" 

"Heartless" (2019) 

The Weeknd's "Heartless" is a pop and electro-clash classic that fires on all cylinders. The visuals are atmospheric, the lyrics are ultra-stimulating, and the production — partly handled by Metro — makes for a lasting club banger.  

The leading single for The Weeknd’s fourth studio album, After Hours, topped the Billboard charts. It marked the Toronto-born crooner’s fourth No. 1 hit and unveiled the depths of Metro’s musical arsenal.  

Metro produced four tracks on After Hours: "Faith," "Escape from L.A.," "Until I Bleed Out" and "Heartless." On the latter and in his other collaborations with The Weeknd, James Blake, and Solange, Metro’s creative sorcery was tested. He proved, once again, that he could generate a hit outside the confines of trap music.  

"Creepin" (2022)

After a solid outing on his first album Not All Heroes Wear Capes, Metro returned with another series of hard-hitting records. His second solo venture, Heroes & Villains, featured John Legend, Don Tolliver, Travis Scott, and other premiere artists. But the biggest song to come out of the star-studded lineup was "Creepin’" featuring 21 Savage and The Weeknd 

The only single to Metro’s second solo album struck sonic gold. The Weeknd’s flowy vocals overlay the silky and harmonic record, which transitions to a more trap-induced beat once 21 Savage’s verse kicks in. The remake of Mario Winans’ "I Don’t Wanna Know" was a notable departure from Metro’s past singles, which heavily lean on his trap roots. But it still managed to connect with his audience – and even beyond it. "Creepin" peaked at No. 3 on Billboard, which was Metro’s highest-charting solo record up until that point.

Spider-Man: Across The Spider-Verse (2023) 

Following the success of "Creepin’" and his other smash singles, Metro extended his creative powers to the film world. He was given the green light to executive produce the soundtrack for Sony’s Spider-Man: Across the Spider-Verse. 

Metro Boomin told Indie Wire that he crafted songs from rough animations and selected scenes "just to get in the world and the story of Miles [Morales] and what he’s going through," He even exchanged phone calls and texts with the film’s composer Daniel Pemberton to ensure the soundtrack and score were on the same accord.  

From the classical serenade "Am I Dreaming" to the Latin swing of "Silk & Cologne" and the Timbaland-stomping "Nas Morales," the result was an equally transformative musical experience. Each record ranged in musicality and tone while beautifully complementing the vibrant animated superhero flick.

"Like That" (2024) 

"Like That" is easily one of the best beats in Metro’s catalog, and may end up being one of the most memorable. Samples from Rodney O & Joe Cooley’s "Everlasting Bass" and Eazy-E’s 1989 classic "Eazy-Duz-It" shaped the bouncy trap beat, sinister synths, and spine-chilling baseline. But Kendrick Lamar’s verse turned it into a heat-seeking missile.  

With the song’s thunderous bass and rapid hi-hats in the background, Kendrick dissed J. Cole and Drake for their recent claims of rap supremacy, particularly on 2023’s "First Person Shooter." The lyrical nuke sparked the Civil War-style rap feud, which led to a seven-song exchange between Kendrick and Drake.  

The initial musical blow made the genre stand still. It also led to the massive success of the record, which notched Future and Metro another No. 1 hit song. It also helped the pair’s album, We Don’t Trust You, claim the top spot on the Billboard 200 albums chart.  

Inside The Metro-Verse: How Metro Boomin Went From Behind-The-Scenes Mastermind To Rap's Most In-Demand Producer 

Jennifer Lopez and Zendaya pose for a photo together at the 2024 Met Gala
Jennifer Lopez and Zendaya attend The 2024 Met Gala

Photo: Kevin Mazur/MG24/Getty Images for The Met Museum/Vogue

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2024 Met Gala Red Carpet: Music Icons & Celebrities Charm In The "Garden of Time" Including Bad Bunny, Zendaya, Doja Cat & More

From groundbreaking florals to silhouettes in black and piles of tulle, discover all of the spell-binding looks worn by music icons on the Met Gala red carpet in celebration of "Sleeping Beauties: Reawakening Fashion."

GRAMMYs/May 6, 2024 - 10:52 pm

This year's Met Gala invited guests to step into the enchanting "Garden of Time" at the Metropolitan Museum of Art in New York City, where fashion meets fantasy. Celebrating the Met's exhibit "Sleeping Beauties: Reawakening Fashion," the first Monday in May saw stars transform the red carpet into a vibrant display of sartorial storytelling. The theme showcased a collection too delicate to wear but alive with the stories of fashion's past.

From co-chairs Zendaya and Bad Bunny to Tyla and Jennifer Lopez, see how music icons and film stars embodied this year's theme with spectacular flair. The gala not only highlighted the sensory and emotional richness of fashion but also set the stage for a night of memorable styles — groundbreaking florals, tiered tulle and all. 

Explore the full spectrum of this year's enchanting looks from fashion's grandest night in the showcase below.

Bad Bunny

Bad Bunny at the 2024 Met Gala

Jeff Kravitz/FilmMagic/Getty Images

Jennifer Lopez

Jennifer Lopez at the 2024 Met Gala

Photo: Kevin Mazur/MG24/Getty Images for The Met Museum/Vogue

Zendaya

Zendaya at the 2024 Met Gala

Dimitrios Kambouris/Getty Images for The Met Museum/Vogue

Tyla

Tyla at the 2024 Met Gala

Angela Weiss/AFP via Getty Images

Donald Glover

Donald Glover at the 2024 Met Gala

Angela Weiss/AFP via Getty Images

Stray Kids

K-pop group Stray Kids at the 2024 Met Gala

Photo: Angela Weiss/AFP via Getty Images

Jon Batiste

Jon Batiste at the 2024 Met Gala

Angela Weiss/AFP via Getty Images

Queen Latifah

Queen Latifah at the 2024 Met Gala

John Shearer/WireImage/Getty Images

Kylie Minogue

Kylie Minogue

Photo: Jamie McCarthy/Getty Images

Christian Cowan and Sam Smith

Christian Cowan and Sam Smith at the 2024 Met Gala

Photo: Jamie McCarthy/Getty Images

Jack Harlow

Jack Harlow at the 2024 Met Gala

Marleen Moise/Getty Images

Teyana Taylor

Teyana Taylor at the 2024 Met Gala

Jamie McCarthy/Getty Images

Ariana Grande

Ariana Grande at the 2024 Met Gala

Kevin Mazur/MG24/Getty Images for The Met Museum/Vogue

Rosalía

Rosalia attends the 2024 Met Gala

Jamie McCarthy/Getty Images

Laufey

Laufey at the 2024 Met Gala

Jamie McCarthy/Getty Images

Shakira

Shakira at the 2024 Met Gala

John Shearer/WireImage

Doja Cat

Doja Cat attends the 2024 Met Gala

Angela Weiss/AFP via Getty Images

FKA Twigs, Stella McCartney, Ed Sheeran & Cara Delevingne

FKA Twigs and Ed Sheeran on the 2024 Met Gala red carpet

John Shearer/WireImage

Lana Del Ray

Lana Del Ray at the 2024 Met Gala

Kevin Mazur/MG24/Getty Images for The Met Museum/Vogue

Karol G

Karol G at the 2024 Met Gala

Dimitrios Kambouris/Getty Images for The Met Museum/Vogue

Lil Nas X

Lil Nas X at the 2024 Met Gala

John Shearer/WireImage

Charli XCX

Charli XCX at the 2024 Met Gala

Angela Weiss/AFP via Getty Images

Cardi B

Cardi B at the 2024 Met Gala

Gotham/Getty Images

Dua Lipa

Dua Lipa at the 2024 Met Gala

Gotham/Getty Images

Lizzo

Lizzo at the 2024 Met Gala

Dia Dipasupil/Getty Images

Eryka Badu

Eryka Badu at the 2024 Met Gala