Tyler Childers has made a career out of doing things differently. The Lawrence County, Kentucky native first built a grassroots following with his left-of-center country style, becoming a cult figure respected for his traditionally informed take on the genre and his unabashed authenticity. Now, he's one of country music's favorite outsider voices — and he continues to move the needle with his Elvis-inspired sixth album, Rustin' in the Rain.

While Childers first gained acclaim with his second studio album, 2017's Purgatory, his 2011 debut, Bottles & Bibles, hinted at what was to come. That record was raw and stripped-down, with spare production putting the spotlight firmly on his narrative-driven lyrics and his now-beloved soulful drawl. In the years between its release and Purgatory's, Childers further honed his songwriting and his singing by touring relentlessly with his band, the Food Stamps, which also helped build the fan base that would rabidly support Purgatory.

Childers was one of the first of a new generation of country artists to reject the traditional machinations of Nashville's Music Row in favor of building grassroots support for making music on their own terms. He did so following in the footsteps of another Kentuckian, Sturgill Simpson, who also famously avoids media, shares little about his personal life, and can be unpredictable with the timing and scope of his projects.

It's fitting, then, that Simpson (alongside David Ferguson) would produce Purgatory, with his own critical clout and cult success functioning like a stamp of approval for the then-relatively unknown new artist. Purgatory tied together Childers' many influences, which span bluegrass, gospel, blues and outlaw country. The LP opens with the hardscrabble old-time of opener "I Swear (to God)," whose Biblical allusions ("workin' on a building outta hand-hewn brimstone") won't be the last we hear from Childers in his work.

To Childers' seeming dismay, Purgatory resonated more with Americana audiences than the country music industry — even despite his unabashedly country sound and heavily narrative songwriting, much of which nods to traditional country themes like labor, poverty and faith. That conflict came to a head when he won Emerging Artist of the Year at the 2018 Americana Honors and Awards, where he reluctantly accepted the award and told the audience, "As a man who identifies as a country music singer, I feel Americana ain't no part of nothing and is a distraction from the issues that we're facing on a bigger level as country music singers. It kind of feels like purgatory."

That purgatory is faced by many country artists who don't fit the genre's mold, which traditionally prioritizes straight, white, cisgender men or artists who hew closely to the Music Row formula du jour. And though Childers may fit the demographic, he decidedly doesn't adhere to the genre's clichés: Nowhere in his discography will you hear lyrics about back roads or pickup trucks, or the pop-heavy country fusion popular on current country radio.

Growing in notoriety on the strength of Purgatory, Childers returned with 2019's Country Squire. Another Simpson/Ferguson-produced joint, the album earned the singer his first No. 1 on Billboard's Top Country Albums chart, as well as his first Grammy nomination — in the Country Field, no less, as "All Your'n" received a nod for Best Country Solo Performance in 2020. Country Squire wasn't a far cry, sonically or thematically, from Purgatory, but it did establish Childers' staying power and laid sturdier groundwork for the more experimental projects he would later release.

Childers was only able to tour Country Squire for a few months before the pandemic shut down the music industry. Like many artists, the unexpected break led him into an introspective period, which birthed his 2020 record, Long Violent History, a political statement framed as a fiddle album. Written and recorded in the wake of the police murder of George Floyd, Long Violent History is the most potent of Childers' early political statements, a middle finger to the establishment as well as a heartfelt rebuke of part of the singer's own complex Southern culture.

Childers caps Long Violent History with its title track, a biting rebuke of racial violence that seeks to bridge the empathy gap between white working Southerners and their Black neighbors. In one of the song's most affecting verses, Childers sings, "How many boys could they haul off this mountain, shoot full of holes, cuffed, and laid in the streets/ 'Til we come in to town in a stark ravin' anger, Looking for answers and armed to the teeth."

Long Violent History punctured any notion that Childers was an artist afraid to make a statement. And on its follow-up, the triple gospel album, 2022's Can I Take My Hounds to Heaven?, Childers once again bucked the conservatism typically associated with country music. That's especially heard on lead single "Angel Band," on which Childers sings of his interpretation of heaven ("There's Hindus, Jews and Muslims/ And Baptists of all kinds") and the assertion that Jesus "ain't a blue-eyed man."

The structure of that LP is also unorthodox, as Childers recorded three versions — "Hallelujah," stripped down and live in the studio; "Jubilee," more fleshed-out production; and "Joyful Noise," remixed and including samples — of each of the record's eight tracks. In addition to the project's retro sonic palette, Childers again nods to his traditional country influences with a cover of Hank Williams' "Old Country Church," and even revisits his own material with an updated version of "Purgatory."

Rather than returning with a more typical full-length LP, Childers followed Can I Take My Hounds to Heaven? with the rowdy and rollicking Rustin' in the Rain, which sits at a tight but potent seven tracks. Sonically, the album sounds almost vintage, as Childers has explained that he wrote and chose tracks as though he would be pitching material to Elvis. Even so, the music still connects back to earlier Childers releases: opener "Rustin' in the Rain," with its jaunty piano and soulful vocal, wouldn't sound out of place on Purgatory; "Luke 2:8-10" continues Childers' tradition of incorporating Biblical imagery into his music; and "Percheron Mules" is the latest in a long line of Childers tunes that celebrate rural living.

And in signature Childers fashion, Rustin' in the Rain features another major statement piece — this time with a lead single, titled "In Your Love." The track's accompanying video allows Childers space to advocate for LGBQTIA+ rights, as he tapped friend and queer Southern author Silas House to co-write a deeply tender video treatment telling the story of two men meeting in a coal mine and falling hopelessly in love. The clip is sweet and intense, with the kind of sweeping love story made for the movies and — in country music, especially — typically reserved for the depiction of straight couples.

The track was inspired by Childers' cousin, who was his "first tough critic." "[I was] just thinking about him not having a music video on CMT that spoke to him," Childers told NPR's Ann Powers upon the song's release. Throughout the interview, he stressed the need for making a statement — as he's done since the start of his career. "Even if you have the privilege of walking through this world unfazed, it's more important than ever to stand with and for and up for things, to be vocal," he added.

Although Childers has yet to break through on country radio, "In Your Love" proved to be one of his most effective statements to date. The song scored Childers his first top 10 on Billboard's Hot Country Songs chart, also landing him on the all-genre Billboard Hot 100 for the first time in his career. And with a headlining arena tour — his first full arena trek — set for 2024, Childers is clearly continuing to grow his audience by simply staying true to himself.

Whether or not he becomes a commercial darling, Childers has cemented his status as one of country music's more interesting, boundary-pushing artists. That seems to suit him just fine, as he continues to show new sides of his artistry without pandering to the sounds of the day. Like he declared on Purgatory, he's creating his own lane: "right now, I am focused on the universal sound."

6 Ways Zach Bryan Is Changing The Music Industry

We may have known about Toby Keith's stomach cancer diagnosis for nearly two years, but that didn't keep the news of his Feb. 5 death from hitting hard. The oftentimes outspoken country music star enjoyed a three-decade career as one of the genre's beloved hitmakers, courtesy of unabashed hits like "Who's Your Daddy?," "Made In America" and "I Wanna Talk About Me."

Occasionally his in-your-face persona clashed with folks, particularly when it came to his political views in recent years. But for the most part, it was Keith's blue-collar upbringing and work ethic that shined through and resonated with his legion of listeners. 

It wasn't until his thirties that the future Songwriters Hall of Famer landed his first record deal in 1993, following years grinding away as a rodeo hand, in oil fields and as a semi-professional football player to make ends meet. The Oklahoma-born crooner would go on to record 20 No.1 hits, sell over 40 million records across 26 albums, and gross nearly $400 million touring — cementing himself as one of country music's most successful artists in the process.

As we look back on Keith's life and legacy, here are five essential cuts from the seven-time GRAMMY nominee, whose memory will live on in the hearts of country music artists and fans alike.

"Should've Been A Cowboy" (1993)

Few artists strike gold with their maiden release, but Keith did just that when his song "Should've Been A Cowboy" launched in February 1993. The upbeat track received widespread acclaim, eventually reaching No. 1 on the Billboard's Hot Country Songs chart a few months later.

"Should've Been A Cowboy" takes on a distinctly traditional tone as Keith romanticizes cowboy culture by referencing classic westerns like Gunsmoke with nods to Marshall Dillon and Miss Kitty in addition to six-shooters, cattle drives and Texas Rangers abound. The tune also reinforces the notion that cowboys just have more fun, whether its "stealin' the young girls' hearts, just like Gene [Autry] and Roy [Rogers]" or "runnin' wild through the hills chasin' Jesse James." 

By the looks of Keith's career, he certainly had his fair share of fun, and it may not have come if it weren't for "Should've Been A Cowboy."

"How Do You Like Me Now?!" (1999)

After a successful '90s run (which included two more No. 1s in "Who's That Man" and "Me Too"), Keith kicked off the 2000s with his fourth No. 1 hit, "How Do You Like Me Now?!" In signature Toby Keith fashion, he confronts his haters by asking the titular, rhetorical question, posed to his high school's valedictorian — who was also his crush. "I couldn't make you love me but I always dreamed about livin' in your radio," he sings on the brazen chorus.

The song is a stern reminder to never let anyone keep you from chasing your dreams; it's also a lesson of standing strong on your convictions. Its message also proved fitting for Keith's career: After Mercury Records Nashville rejected the song (and its namesake album) in the late '90s, Keith got out of his deal with them in favor of signing with DreamWorks Records, with whom he released the project a year later. Not only did the single go on to spend five weeks at No. 1 on the Hot Country Songs chart, but it became the singer's first major crossover hit.

"Courtesy of the Red, White and Blue (The Angry American)" (2002)

Keith was never afraid to share his opinion in public or in song, especially when it came to displaying his patriotism and appreciation for those who protect the United States. While the Okie approached this from a softer side on 2003's "American Soldier," his most renowned musings on the subject without a doubt came a year earlier with "Courtesy of the Red, White and Blue (The Angry American)."

On the angsty ballad — which was written in the wake of his father's March 2001 death and the Sept. 11, 2001 terrorist attacks — Keith channels a universal feeling of American hurt and pride. "Courtesy of the Red, White and Blue (The Angry American)" inspired an equal outpouring of support and outrage that, for better or worse depending on where you stand, helped cement the song into the annals of country music lore.

"I Love This Bar" (2003)

We've all got our favorite watering hole full of its own quirks and characters, from winners to losers, chain-smokers and boozers. Keith taps into that feel-good, hometown hang feeling with "I Love This Bar," a lighthearted tale from 2003's Shock'n Y'all that makes dingy dive bars feel like the prime party destination.

The midtempo track — Keith's 12th No. 1 — further plays into country music drinking tropes as Keith proclaims, "I like my girlfriend, I like to take her out to dinner, I like a movie now and then" before making a hard pivot, adding "but I love this bar." 

All joking aside, the song, and all of the unique individuals described within it, have a harmony to them inside those hallowed walls. It's a kinship that seems more and more difficult to find in today's world, and a sentiment best captured at the song's conclusion: "come as you are."

"As Good As I Once Was" (2005)

Your best days may be behind you, but that doesn't mean you can't still live your best life and thrive in the present — even if you don't get over hangovers as quickly as you used to.

That youthful wisdom is distilled into every lyric of "As Good As I Once Was," a reminiscent story in which a then-44-year-old Keith recounts his prime as a lover, drinker and fighter humbly. That being said, his pride is still quick to take charge with convictions like "I still throw a few back, talk a little smack, when I'm feelin' bullet proof."

Lasting six weeks at No. 1, "As Good As I Once Was" was the biggest of the 15 chart-toppers Keith tallied in the 2000s. And though he scored one more in the following decade (along with several other hits, including the playful drinking song "Red Solo Cup"), "As Good As I Once Was" will live on as one of Keith's quintessential messages of fun-loving confidence: "I ain't as good as I once was, but I'm as good once, as I ever was."

8 Artists Bringing Traditional Country Music Back: Zach Top, Randall King, Emily Nenni & More On Why "What's Old Becomes Beloved Again"

GRAMMY-winning country/folk hero John Prine is widely known for his 1970 song, "Paradise," a wistful ode to a now-extinct Kentucky town that was ravaged by the strip mining industry. Almost 50 years later, he’s revived the song to benefit the very same coal miners and their families in Appalachia.

This version of "Paradise" rounds out Prine’s new 7" single My Kentucky Home, Goodnight, which arrived on May 11. The A-side is a cover of Stephen Foster's Civil War-era classic, on the reverse, a new version of "Paradise” with folk/bluegrass artist Tyler Childers. Sales will benefit the Appalachian Citizens' Law Center, which provides legal representation to miners and their families.

While "Paradise" is full of warnings about the ruinous effects of mining on small-town America, Prine remains sympathetic to the miners themselves. Not only did they put their bodies on the line, but many have fallen into financial hardship as the coal industry increasingly turns to dust.

"Those miners were the hardest-working people," he tells The Recording Academy. "I'll always respect what they did to provide for their families." These two modest recordings connect Prine meaningfully with his past — and help extend a hand to a struggling American region.

Read on for an interview with Prine about the new 7", how mining affected Muhlenberg County and why the Bluegrass State runs in his blood.

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On "Paradise," you evoked youthful summers in Muhlenberg County, Kentucky. What made you want to evoke the state again with "My Kentucky Home, Goodnight"?

I love this Stephen Foster song and I love Kentucky. I guess it runs in my blood. My dad had a great affection for his home state and passed that love to me and my brothers. I still have a lot of family there and try to get to the annual family reunion as often as I can.

"My Kentucky Home, Goodnight" traditionally kicks off the Kentucky Derby. Do you have memories of attending the Derby as a kid?

We never attended the Derby. I’m not sure if my family could have afforded to take everyone. My cousin Jackie always had a famous Derby party, but I was always on the road. One of these days, I definitely want to go. I always make a small bet with my brothers on Derby day just for the fun of it.

Your father, Bill, actually grew up in Paradise. Can you talk about him a little bit?

He was a larger-than-life character. He worked hard to provide for us and enjoyed his beer and country music. I think he might have believed that one day he would take us back to live in Kentucky. He would take us there on vacation every year and those car trips are still some of my best memories of growing up.

Proceeds from the single benefit Appalachian coal miners and their families. What makes you connect with their plight?

When you grow up knowing that your parents' home place no longer exists because of mining, it’s a hard reality to shake. A lot of families are affected by the declining industry now and others are left with black lung. Those miners were the hardest-working people and I’ll always respect what they did to provide for their families.

A brand-new version of "Paradise" rounds out Side B. Why do you think folks connect with that song so strongly?

It’s one of my songs that I really didn’t think would make it to the 21st century, like "Flag Decal." I guess the world really has not changed all that much. People are connected to wherever they call home and where their parents were born, and we still have environmental issues and industries that no longer provide good jobs for working-class people.

Why did you connect with Tyler Childers for this version of "Paradise"?

Tyler has opened a bunch of shows for us and we traveled together to New Zealand and Australia earlier this year. I think he is one of the finest young writers out there and he is a great fella to hang out with. He gets what country music is all about. Writing about the people and places you know best and the feelings that come from growing up in rural America.

You've got a lot on your plate these days — this new single, an international tour. What keeps you so busy and motivated?

I love that my audience has expanded. My fans from the 1970s are still with me and now they bring their kids and grandchildren. It gives me new energy to play my songs for a new audience. When we traveled to Australia and New Zealand at the beginning of the year, I got to play for fans that had waited 25 years to see me live. That was an amazing experience and has really given me motivation to write new songs and keep performing.

Kiefer Sutherland Talks New Album 'Reckless & Me' & Contending With The Actor-Turned-Musician Stigma

This year's Newport Folk Festival was full of fantastic music, friendly faces and special surpises right up to Sunday night's spectacular festival-closing "A Change Is Gonna Come" revue featuring soul star Leon Bridges and masterminded by Jon Batiste with the Dap Kings. They were joined on stage by a host of incredible guests - collaborations that could only have happened at Newport. You had to be there to believe it!

Newport Folk festival boasts an unmatched combination of tradition, innovation and good ole' fashion community. GRAMMY.com was on the ground in Newport, R.I., for one of the most eclectic — and electric — years in the festival's storied history. Take a look to see who rocked the stage and who dropped by to visit us backstage.

Sunday headliner Brandi Carlile dropped in to discuss everything from the powerful messages of By The Way, I Forgive You to her love of fishing before she tore up the stage.

Folk legend John Prine paid us a visit to talk about his wildly successful new album, The Tree Of Forgiveness, before rising star Margo Price dropped in to say hello. With a stellar album currently making waves in the americana music world and a recent cameo in Prine's "Knockin' On My Screen Door" video, we had plenty to talk about with the pair of master songwriters.

Photo: Douglas Mason/Getty Images

The incredible Amanda Shires wowed the audience by performing songs from her upcoming album, To The Sunset.

Lukas Nelson and his band, Promise Of The Real, rocked Newport hard on Saturday. After their set, he stopped by to chat about the many, many projects he's working on and snap some portraits with us.

New Orleans musical institution Preservation Hall Jazz Band arrived in style, dressed fresh in white and bearing instruments. We sat down with bandleader Ben Jaffe to talk about the musical message they take with them everywhere they go. 

We asked JD McPherson all about his latest album, Undivided Heart & Soul, focusing on his fuzz-heavy single, "Lucky Penny" and the soulful "Crying's Just A Thing That You Do," with he co-wrote with fellow Newport Folk performer Butch Walker.

Meet Becca, Brittany and Jesse of Bermuda Triangle, a new trio from East Nashville who turned an impromptu jam into a real deal band. The ladies came by to tell us how they started playing music together and talk about their experience at Newport Folk.

Photo: Douglas Mason/Getty Images

Surprise! This year's suprise headliner on Saturday night of Newport Folk Festival was none other than Mumford & Sons. The band made their first ever appearance at Newport, and called up a host of guest including Maggie Rogers, Brandi Carlile, Phoebe Bridgers, and more.

Jazz/folk duo Tuck And Patti stopped by after they kicked off day one of the festival to talk about what makes Newport so special, their upcoming projects and even drop some advice on making it as a musical duo and a married couple.

Hot off the release of Please Don't Be Dead, Oakland, Calif., neo-blues hotrod Fantastic Negrito had some wise words to share backstage about true artistry, the good vibes at Newport and where he keeps the GRAMMY he received for Best Contemporary Blues Album at the 59th GRAMMY Awards for The Last Days Of Oakland.

Jess Wolfe and Holly Laessig of Lucius showed up in stunning matching blue to talk about their latest "acoustic" album, Nudes, why they love coming back to Newport and what they're working on next.

While we were chatting with Alejandro Rose-Garcia, aka Shakey Graves, his friend and ours, Paul Cauthen, dropped in to talk about the Newport hijinks he'd been getting into so far and how the festival is the perfect setting for connecting with all of their closest musical friends.

Photo: Douglas Mason/Getty Images

St. Vincent closed things down Friday night with a haunting set, proving Newport Folk is, and has always been, about pushing the limits.

Ever since college, Rachael & Vilray have shared a love for '30s and '40s traditional jazz. The duo came through to talk about the Newport experience, reveal what makes the music they love so enduring and pose for our cameras.

Photo: Douglas Mason/Getty Images

Sidi Toure tears up the stage on day one, bringing the Newport Folk Fest crowd to their feet.

Hot off the stage, New Orleans' Tank And The Bangas pulled up to take a quick snapshot and tell us how excited they were to share their music with the equally excited – and receptive – Newport crowd.

MC Taylor of Hiss Golden Messenger came through after his set to talk about the natural way his Halelujah Anyhow album came together and how being a father has meant everything to him as an artist.

The ever-entertaining Valerie June stopped by to talk about the incredible vibes at Newport and breakdown one of her most cosmic songs, "Astral Plane."

Thirty Tigers artist Tyler Childers shared his impressions of Newport Folk as well as some insight on his 2017 album, Purgatory.

The magnetic trio The Lone Bellow paid a visit to our corner of the fort to talk about Walk Into A Storm and tell the touching story of "May You Be Well."

Apropos of being situated right on the water at Newport's Fort Adams State Park, the Wood Brothers discussed the various water themes and symbols that flow through their latest album, One Drop Of Truth.

The musical journeyman Phil Cook swung by to see us and talk about why he loves Newport Folk Festival, his new - and first - solo album, People Are My Drug, and why now is a crucial time in music's history. 

Stay tuned for much more to come from Newport Folk Festival 2018.

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

Following GRAMMY U’s membership expansion, the Recording Academy is thrilled to welcome the 2024-25 GRAMMY U Representative class.

These 14 college students are rising leaders in the music industry, dedicated to pushing forward inclusivity and creativity. Serving up to three consecutive years, each GRAMMY U Representative works closely with their local Chapter as well as the national GRAMMY U team to support membership initiatives and diverse programs for more than 6,500 members worldwide.

Founded in 2006, GRAMMY U supported college students pursuing careers in music for nearly two decades. As of last Fall, the program’s membership was extended not just to college students but also individuals aged 18 to 29 years old who are hoping to work in the music industry.

This exciting expansion means that GRAMMY U now offers more opportunities than ever before. The program’s latest class of Reps is eager to guide you. Continue reading to get to know the 2024-25 class of GRAMMY U Representatives.

Jasmine Gordon | Atlanta

Jasmine is studying at Spelman College as a Comparative Women’s Studies major. This is her second year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

I am particularly excited about the opportunity to connect with other like-minded GRAMMY U Representatives and to build meaningful relationships with peers who share my passion for music.

Who is a music industry creator or professional that inspires you and why?

A music industry professional who truly inspires me is Jessie Allen, GRAMMY U’s Managing Director. Her unwavering dedication and the passion she pours into the GRAMMY U program are truly admirable and motivate me to make a meaningful impact in this field.

What is your favorite genre of music and why?

R&B has always held a special place in my heart; it’s a genre that speaks to the soul and captures the depth of human emotion in a way that few others can. The rich history and evolution of R&B inspire me both personally and professionally.

Connect with Jasmine:

Email: grammyu.atlanta@grammy.com

IG: @jazzy.gord

Jim Slife | Chicago

Jim is studying at DePaul University as a Communications and Media major. This is his first year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

I am so excited to collaborate and get to know more GRAMMY U members both inside and outside of the Chicago chapter. I would love to hear member’s thoughts and ideas on how we can further engage with the music community, so please do not hesitate to reach out to me!

What is your favorite genre of music and why?

In today's music scene, I love to see how artists continue to push beyond the categories of genre and blend different influences to make their own unique sound. From Beyoncé’s “Cowboy Carter” to Clairo's "Charm,” I admire the way artists are not afraid to combine genres of the past and future to create some of the most exciting albums of this year.

Who is a music industry creator or professional that inspires you and why?

I am so inspired by my fellow GRAMMY U members and alumni. Seeing young professionals grow and shine as they take the initial steps into their careers is very motivating to me and makes me so thankful to be part of such a wonderful community!

Connect with Jim:

Email: grammyu.chicago@grammy.com

IG: @jim.slife

Adyna Silverberg | Florida

Adyna is studying at the University of Miami as a Music Industry major. This is her first year as a GRAMMY U Representative.

What is your favorite genre of music and why?

My favorite genres of music are a tie between pop and dance music. Pop music will never get old to me because I’ve grown up listening to it my whole life and it has shaped me into the person and artist I am today. Recently, I’ve grown a love for EDM because it always puts me in a great mood and has created a vibrant community.

What is your dream career in the music industry and why?

Currently, my dream career in the music industry would be in A&R because I love finding and listening to new artists, and I hope to shape them into the artist they want to become. I have the most experience in this field, but I am very interested in exploring other avenues in the music industry such as artist or business management, marketing, and live events!

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

I would love to plan a GRAMMY U event centered around John Summit because he seemingly gained a social media following overnight and his “work hard, play hard” mindset is extremely inspiring. In his most recent album, “Comfort in Chaos,” he sonically explained all of the ups and downs in life while traveling on tour, working on new music, and prioritizing mental health. There are countless students who look up to him as an artist, producer, and record label owner especially in Miami.

Connect with Adyna:

Email: grammyu.florida@grammy.com

IG: @adynablair

Joslyn Bowman  | Los Angeles

Joslyn is in her third year at the USC Thornton School of Music as a Music Business major. This is her first year as a GRAMMY U Representative.

What is your favorite genre of music and why?

Recently, I have been obsessed with listening to folk music! I have been listening to a lot of Noah Kahan because his lyrics always tell such meaningful stories, and his music has the power to reach so many people’s hearts around the world in a way that I’ve never seen before. 

What is your dream career in the music industry and why?

My dream career in the music industry is to become a lawyer. When I started studying the music industry, I became aware of the many injustices and problems that artists and other professionals face. I hope to use my knowledge to support music industry professionals who have faced unfair treatment and to emphasize the importance of education regarding the rules and laws surrounding this industry. 

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

I would love to plan an event centered around Sylvia Rhone and all of the incredible work that she’s done within the music industry. As the first black female CEO of a record label, Sylvia Rhone has been a trailblazer for women and people of color in the music industry, and she has proved that anyone can be successful regardless of their background which is so inspiring to me. Hearing about her journey and the obstacles she had to overcome would be a dream come true!

Connect with Joslyn:

Email: grammyu.la@grammy.com  

IG: @joslynnleila

Shannon Conte | Memphis

Shannon is a Business Management major at Tulane University. This is her second year as a GRAMMY U Representative.

What is your favorite genre of music and why?

I love R&B and all the genres that fit under the umbrella of R&B. The genre constantly surprises me and keeps me finding more musicians I enjoy. I think I resonate most with the lyrics of R&B songs. I also find myself drawn to the vocals more-so than any other genre. 

What is your dream career in the music industry and why?

I aspire to work in artist management, starting my own management company and growing it from the ground up. I believe my unique skill set and personality will aid me in becoming a successful artist manager. 

Who is a music industry creator or professional that inspires you and why? 

I am inspired most by Julie Greenwald, a Tulane alumni who found immense success as a music industry executive. Her charisma and drive has paved the way for aspiring female music professionals, hence why she is such an idol to me. 

Connect with Shannon:

Email: grammyu.memphis@grammy.com

IG: @sconte_

Adren Gilmore | Nashville

Adren is studying Commercial Music at Tennessee State University. This is his first year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

I am most looking forward to expanding my network of peers as a GRAMMY U Representative this year. As a member of the next generation of music industry leaders, I will have the opportunity to make firsthand connections with an expansive and like-minded community in this role.

What is your favorite genre of music and why?

My favorite musical genre is funk because it emphasizes grooves and rhythmic basslines. Funk has a rich history as it emerged from post-Jim Crow Black America, symbolizing Black Pride and "Unapologetic Blackness," which inspires my music and artistic identity.

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

If I could plan a Grammy U event around any creator, it would undoubtedly be the late musical icon Prince. His career is a masterclass in tenacity and smart business decisions, offering invaluable lessons for today's artists and GRAMMY U members alike.

Connect with Adren:

Email: grammyu.nashville@grammy.com

IG: @adrengilmore

India Sahai | New York

India is studying at Fordham University to pursue her masters in Media Management. This is her first year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

As one of this year’s GRAMMY U Representatives, I look forward to collaborating with my fellow Reps to curate a memorable year filled with exciting new events and opportunities for our members! 

What is your favorite genre of music and why?

My favorite genre is singer-songwriter, which is a versatile style that focuses on personal, emotional storytelling through music. I appreciate when singer-songwriters construct a narrative that builds through the verses of the song.

What is your dream career in the music industry and why?

My dream career in the industry is to work in A&R at a record label. I would love to be able to scout and discover artists and then provide the support needed to develop and grow throughout their entire career.

Connect with India:

Email: grammyu.ny@grammy.com

IG: @indiasahai

Jenia Viles | Pacific Northwest

Jenia is studying at Seattle University as a Business Management Major. This is her first year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

I’m beyond excited to continue cultivating our passionate community full of emerging music industry creatives and professionals. I’m looking forward to building meaningful relationships with my Pacific Northwest Chapter members and with my fellow Representatives. It’s going to be so great to connect with other people who are interested in finding work within the music industry!

What is your favorite genre of music and why?

I listen to many different genres of music, so it’s hard to pick one (how original…ha!), but if I had to choose, I’d definitely say Neo-soul because it’s a fusion of my favorite musical genres: R&B, Jazz, and Hip-Hop. Listening to Neo-soul puts my mind at ease! Some notable Neo-soul artists that I love listening to include Erykah Badu, Lauryn Hill, D’Angelo, Musiq Soulchild, and Maxwell, to name a few.

What is your dream career in the music industry and why?

I’m still figuring out my dream career in the music industry, though I’ve always been passionate about the creative production side of the music industry as I have always been fascinated with the artistic processes of music producers such as the Neptunes or Salaam Remi. I’ve also considered the A&R side of the industry and would be interested in working with and forming connections with an artist or working directly for a label.

Connect with Jenia:

Email: grammyu.pnw@grammy.com

IG: @niadfv

Jada Bromberg  | Philadelphia

Jada is studying at Temple University with majors in Audio & Live Entertainment and Communication Studies. This is her first year as a GRAMMY U Representative.

What is your favorite genre of music and why?

Indie pop is my favorite genre because of its simplicity and the artists' emphasis on storytelling through lyrics. I’m particularly drawn to songs that resonate with me on a personal level.

Who is a music industry creator or professional that inspires you and why?

Singer-songwriter Anson Seabra inspires me with his raw, emotional lyrics. For many years, his music has been a source of comfort and strength, helping me get through some of my most challenging times.

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

I would plan a GRAMMY U event featuring PLESTED, a singer and songwriter renowned for co-writing songs for artists such as Lewis Capaldi, Little Mix, Kygo, James Arthur, and Anne-Marie. I am eager to learn more about his career — both his songwriting work for other artists and his own accomplishments as a talented musician.

Connect with Jada:

Email: grammyu.philly@grammy.com

IG: @jadareesemusic

Izzy Hory | San Francisco

Izzy is in her second year at the University of California, Berkeley as a Political Science major. This is her first year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

As a GRAMMY U Representative, I’m excited to plan and take part in both local and national events, showcasing the countless opportunities available in the music industry to students and non-students alike. I’m also looking forward to facilitating GRAMMY U SoundChecks and collaborating with the amazing team that drives this organization forward.

What is your favorite genre of music and why?

Indie music is my favorite genre. It captures so much raw talent and passion. I can listen to it anytime, anywhere, and constantly discover new artists. I love the genuine energy of the indie scene, and seeing these artists perform live in small, intimate venues is an experience you just can’t beat.

What is your dream career in the music industry and why?

While I'm still exploring what careers the music industry offers, I've always been drawn to the role of a music supervisor. I have a playlist for every mood, moment, and memory, and I'd love the opportunity to channel that passion into curating soundtracks. Music has such a powerful impact, and it would be incredible to create a soundtrack that highlights underrated artists while helping execute a story. 

Connect with Izzy:

Email: grammyu.sf@grammy.com

IG: @izzyhh__

Ily Aguilar | Texas

Ily is studying at Texas State University as a Public Relations major. This is her first year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

As a GRAMMY U Representative, I am particularly excited about coordinating GRAMMY U SoundChecks. Over the past two years, every SoundChecks I've attended has been an invaluable learning experience, deepening my understanding of the music industry. I'm definitely thrilled for the Texas Chapter to experience a new year of incredible artists!

Who is a music industry creator or professional that inspires you and why?

A music industry professional who inspires me is Meg Miller, Lainey Wilson’s tour manager. After hearing her story and advice at the 2023 GRAMMY U Fall Summit in Nashville, I’ve been in awe of her ever since. Tour management is a career path in the music industry that I’m particularly interested in, and Meg Miller truly embodies the qualities of a girl boss and a successful young professional. 

What is your favorite genre of music and why?

While I consider myself an enthusiast of every music genre, my favorite has to be Alternative/Folk. With artists like Noah Kahan, Hozier, Mt. Joy, and The Moss frequently topping my playlists, I definitely gravitate towards the Alternative/Folk sound. This genre resonates with me on a deep level, and I truly connect with the passion behind the music. 

Connect with Ily:

Email: grammyu.texas@grammy.com

IG: @ily.aguilar

Shaneel Young | Washington D.C.

Shaneel is studying at Howard University as a Business Marketing major. This is her second year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

This year, I’m excited to see GRAMMY U continue its growth, especially with the expansion of membership going into its second year of programming. I’m also eagerly anticipating GRAMMY Week 2025 — after last year's unforgettable experience, I can't wait for what’s to come!

What is your favorite genre of music and why?

My favorite genre of music is R&B. As someone who grew up in church listening and singing to soulful gospel music, R&B shares some of those same nostalgic elements.

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

I would plan an Up Close and Personal event with Coco Jones. While she is a current hit R&B vocalist and actor, Coco has been transparent about her history of challenges in the music industry. I believe sharing her journey with GRAMMY U Members would be extremely inspiring and stand true to the fact that persistence and patience are key!

Connect with Shaneel:

Email: grammyu.dc@grammy.com

IG: @seasonsofshai

Della Anderson | National Membership

Della is studying Songwriting at Belmont University along with minors in Public Relations and Fashion Studies. This is her second year as a GRAMMY U Representative.

What are you most looking forward to this year as a GRAMMY U Representative?

I'm most looking forward to getting to meet as many current and future GRAMMY U Members as I can. While I love the events we hold, it's the relationships I've made throughout my time in GRAMMY U that have changed my life the most.

What is your favorite genre of music and why?

I love the singer-songwriter genre because as a songwriter myself, I have a deep appreciation for the bones of a song. Anyone that can make a guitar and vocals seem compelling is an exceptional storyteller and musician in my eyes.

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

I would absolutely love to do a GRAMMY U event centered around either Chappell Roan or Sabrina Carpenter because it’s empowering to see other women succeeding in music, and watching them both grow into their current look and style has been captivating to me. I also appreciate live vocals that blow my socks off, and I think they both knock it out of the park.

Connect with Della:

Email: grammyu.membership@grammy.com

IG: @dellalewismusic

Sam Kopec | National Projects

Sam is a Music Business major at the University of Miami. This is her second year as a GRAMMY U Representative.

What is your dream career in the music industry and why?

I aspire to become an entertainment lawyer or work in the publishing area of the music industry. I find intellectual property rights and regulations extremely interesting and aim to use my knowledge to advocate for artists as technology continues to evolve. 

Who is a music industry creator or professional that inspires you and why?

I am most inspired by music industry executive, Jody Gerson. She was the first female CEO of a major music publisher, and her work included managing some of the most expansive and impactful song catalogs. I appreciate her ambition, focus on building authentic relationships, and appreciation for the songwriters and composers who drive the music industry forward.

If you could plan a GRAMMY U event centered around any music creator or professional, who would it be and why?

I would love to spotlight Jack Antonoff in a GRAMMY U event! He is an eleven time GRAMMY-winning producer working with some of the biggest stars in the industry and some of my favorite artists including Taylor Swift, Lorde, and Lana Del Rey. I would be interested to hear how his approach differs while working with each artist to let their vision and unique sound shine through as well as his strategy for balancing work with own band, Bleachers. I believe Antonoff’s immense technical knowledge and creativity would provide valuable insight to emerging artists.

Connect with Sam:

Email: grammyu.projects@grammy.com

IG: @sam_kopec