meta-scriptHear From Manila Luzon, Alex Ritchie & More During "Let Our Story Be Heard: A Conversation With AAPI Creators And Professionals" | GRAMMY.com

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Hear From Manila Luzon, Alex Ritchie & More During "Let Our Story Be Heard: A Conversation With AAPI Creators And Professionals"

Five Pilipino-Americans share their stories of pride, prejudice, perseverance, and embracing their culture more fully along the way—watch the conversation now

Membership/Jul 2, 2021 - 10:45 pm

In honor of AAPI Heritage Month, the Recording Academy’s Los Angeles Chapter and SIPA (Search to Involve Pilipino Americans) hosted "Let Our Story Be Heard: A Conversation with AAPI Creators and Professionals." Part one of the two-part program was a panel discussion moderated by Apple Music Radio Technical Producer, Manny Streetz, featuring Vice President of A&R at Def Jam Recordings, Marisa Pizarro, Frankie Yaptinchay, who is a Senior Voice Creative for Amazon Music, and artist/songwriter/producer Alex Ritchie. The group discussed how Asian stereotypes in America shaped their upbringings, whether imposter syndrome affects the ability to embrace heritage, combatting unsafe situations in the workplace and beyond, and the importance of community involvement and pride.

Part two was a fireside chat with Ritchie and drag queen, recording artist, comedian, and "RuPaul’s Drag Race" star Manila Luzon.

When asked about embracing her Pilipino-American heritage in her career, Luzon replied, "Just doing what you do will get its own attention if you put enough passion and time and energy and money behind it. You know what I mean? So yes, I’m proud to be able to do what I do but ultimately, when I decided to be a drag queen, I always knew that I wanted my Asian heritage to play a part in in."

"My mother is Pilipino, she's from Manila, and so when I named myself, I did it in honor of my mother and my family and their birthplace and their hometown. And so that is one of the big things that has allowed me to embrace my Asian-American heritage and use that to separate myself from just any other drag queen."

Watch both parts of "Let Our Story Be Heard" above to learn more about the Asian-American experience in today’s entertainment industry and how you can be more inclusive.

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Alex Ritchie, Emily Vu, Myra Molloy, Alex Aiono, Brooke Alexx in collage
(From left) Alex Ritchie, Emily Vu, Myra Molloy, Alex Aiono, Brooke Alexx

Photos: ROBYN BECK/AFP via Getty Images; Robin L Marshall/Getty Images; Rodin Eckenroth/Getty Images; Disney/PictureGroup; Sam Morris/Getty Images

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10 Exciting AAPI Artists To Know In 2024: Audrey English, Emily Vu, Zhu & Others

In honor of Asian American Pacific Islander Heritage Month, get to know 10 up-and-coming AAPI artists — including Alex Ritchie, Curtis Waters and others — whose music spans geography and genre.

GRAMMYs/May 13, 2024 - 01:16 pm

Asian Americans and Pacific Islanders (AAPI) have made strides in the music industry for many years. Every year, more AAPIs enter executive roles in the industry, increasing their visibility and impact.

Artists in the Asian and Pacific Islander diaspora — including Silk Sonic (Bruno Mars and Anderson.Paak), Olivia Rodrigo, and H.E.R. — have graced the stage and won golden gramophones at Music's Biggest Night. During 2024 GRAMMY Week, the Recording Academy collaborated with Gold House and Pacific Bridge Arts Foundation to create the Gold Music Alliance, a program designed to foster meaningful connections and elevate the impact of Pan-Asian members and allies within the Academy and wider music industry. 

Yet, AAPI groups are significantly underrepresented in the music industry. Pacific Islanders are often forgotten when it comes to lists and industry due to their smaller percentage in the population.

Despite the lack of representation, social media and streaming platforms have introduced fans to new and rising artists such as Chinese American pop singer Amber Liu, Japanese American singer/songwriter Mitski, and Hawaiian native Iam Tongi. Others are showcasing their sound on the festival circuit, as San Francisco-based indie rocker Tanukichan and Korean American guitarist NoSo did at last year's Outside Lands festival. With AAPI-led music festivals, such as 88 Rising’s Head in the Clouds and Pacific Feats Festival, artists in this community are given opportunities to exhibit their talent and, often, their heritage. 

For many emerging artists, a like, reshare, or subscribe can help them gain the attention of mainstream studios and bolster tour attendance. So, in honor of Asian American Pacific Islander Heritage Month, check out these 10 up-and-coming AAPI artists performing everything from pop to soulful R&B and EDM. 

Alex Aiono

Maori-Samoan American singer Alex Aiono moved to Los Angeles from Phoenix at 14 to pursue a music career. After going viral for his mashup of Drake's "One Dance" and Nicky Jam’s "Hasta el Amanecer," Aiono now has over 5.73 million YouTube subscribers. He was then cast in several popular films and television series, including Netflix’s Finding Ohana, Disney Channel’s "Doogie Kameāloha, M.D.," and "Pretty Little Liars: Original Sin."

But, for the 28-year-old R&B/pop singer, music has always been his calling. Aiono released several singles and, in 2020, a full-length album, The Gospel at 23. Inspired by his experience in Hollywood and his relationship with his religion (as a member of the Church of Jesus Christ of Latter-day Saints), The Gospel at 23 plays on the simplicity of a piano, drums, tambourine, and a choir, beautifully fusing modern soul with the old-fashioned gospel. Since then, the artist has released tender medleys – with his most recent heartbreaking single "Best of Me."

"I view this as a very, very lucky life that I get to express myself and that's my job," he told AZ Central. "My quote-unquote job."

Alex Ritchie

L.A.-based singer/songwriter Alex Ritchie has been honest about her journey as a queer mixed-Asian woman in the industry. The Filipino-Japanese-Spanish artist said she was constantly overlooked or told she wouldn’t be commercial enough in the American music industry.

"I’m the only musician in my family, and I came from a family of humble means; so even though I had conviction in what I wanted from a young age, it wasn’t realistic," Ritchie told GRAMMY.com in 2019. said. "Pursuing something like entertainment was so risky. I couldn’t afford to fail. We couldn’t afford to dream like that. BUT I had unrealistic dreams anyway, and after my first gig at the Whisky I knew that was it."

Ritchie has been thriving in the industry, becoming the youngest sitting committee member in the history of the Recording Academy’s Los Angeles Chapter, advocating for LGBTQ+ and Asian American representation in music. After her experience with GRAMMYU in 2019, the alternative rock singer released 404 EP and several sultry singles, including a melodious and fervent love song, "Blueprint," released this January. Ritchie plans on releasing more music and on her terms. 

"Time and people have finally caught up with the vision that I always had for myself, even if they didn’t see it before," Ritchie tells the Recording Academy. "One of the things I’m most proudest of is that I never really changed. I’ve stayed exactly who I am to the core. I think when you do that and when you realize there’s no one else like you, you become the most powerful person in the room."

Audrey English

**You may not have heard of Audrey English, but you have heard her music on "America’s Got Talent," "American Idol," and Netflix’s "Love Is Blind." Her songs are featured on the shows during the most prominent moments of the contestants’ lives on screen: In "AGT" and "American Idol," English’s rendition of "Lean On Me" played during golden buzzer moments and emotional arcs; er song "Mama Said" went viral after being played during Ad and Clay’s wedding scene in season 6 of "Love Is  Blind."

Inspired by Etta James, Nina Simone, and Amy Winehouse, the Samoan American artist swoons audiences with her soulful, powerful tone with songs that focus on relationships, empowerment, and love. English also showcases her culture in her videos; in the music video for her harrowing ballad "Happy," English featured the beauty of Samoa alongside a Samoan romantic love interest. She hopes one day to write a Samoan song. 

In her latest single "Unapologetic," released on April 25, English wrote the song as an anthem for others to live without shame. "In a world where we are so influenced by others, social media, and being our own worst critics - sometimes we need to take a step back to realize it all doesn’t really matter," English wrote on Instagram. "Regardless of your beliefs, background, and passions, this is a call to be authentically you, however, you define that!"

Brooke Alexx

**Brooke Alexx’s bubblegum pop personality is infectious, and her catchy hooks, including her latest pop-rock single, "Hot Like You," are fit for everyone’s summer playlist.

Alexx has never shied away from revealing intimate parts of her life. The Japanese American artist writes her music from her experiences as the oldest child, being best friends with her exes’ moms, and her connection to her Asian roots. 

In her 2022 gentle ballad, "I’m Sorry, Tokyo," Alexx reveals the shame she once felt for not wanting to learn about her Japanese heritage, as well as the guilt she feels for never learning the language and culture. "There’s so much about the culture that I don’t know and missed out on that would be so cool to be a part of my life now," Alexx told Mixed Asian Media. "So, I’m trying to return to those roots a little bit these days."

She is now making up for lost time. Alexx embraces her Japanese heritage and will visit the country with a select group of fans

Curtis Waters

Curtis Waters doesn’t care for commercial success. Despite going viral on TikTok in 2020 for his raunchy, satirical, catchy song "Stunnin," the Nepalese Canadian-American alt-pop artist was unhappy with his career trajectory.

"I made some songs that I don’t fully love, hoping they would catch the same success as 'Stunnin’," Waters told Atwood Magazine. "But doing that made me depressed, so I had to stop and remind myself why I started making music in the first place."

Water's new album, Bad Son, was released on March 27. His press release says it is "a true immigrant story, a reflection on a young, brown creative being thrown into the mainstream overnight while navigating deep issues of self-doubt and cultural identity along the way."  

Waters didn’t intend to share his immigrant story but struck inspiration as a way to cope emotionally and be honest with himself. Filled with high-energy beats, elements of indie rock, and experimental hip-hop, Waters reveals an ardent part of himself through his breathy vocals and introspective tracks.

Emily Vu 

Vietnamese American pop singer Emily Vu has accomplished much in her 22 years: She amassed over 1.2 million followers on TikTok, her song "Changes" was featured in the 2023 Netflix film A Tourist’s Guide to Love, and is part of the Mastercard Artist Accelerator program. Her catchy pop tunes, including the recently released single "Heartsick," are inspired by personal moments in her life.

Vu has always been open and sure about her identity as a queer Asian woman. She came out in her 2020 music video for "Just Wait," which featured numerous women symbolizing her previous relationships. "The music video reflects how my past relationships are still burdens to me and how I still carry those experiences with me wherever I am," Vu told Stanford Daily, "I see myself being really happy with my life in a few years. I want to be happy with all that I’ve been doing and all the people I’m around."

Four years later, Vu still releases music and captivating fans on TikTok with her earthy vocals and angelic covers. Vu tells her followers on TikTok, "I just want to let you all know that I’m back. I’m going to be annoying you all every single day until I get bored."

Etu

Fijian American artist Etu is ready for the new era of the island industry, which is expanding far beyond island reggae and into different genres. "We got artists who do pop, R&B, and country. We’re going to embrace the things we bring into this," the island pop singer told Island Mongul.

Inspired by artists like Ed Sheeran, John Mayer, and Fiji, etu's hypnotic and haunting vocals fuse beautifully with traditional island music. The dreamy track "Au Domoni Iko" ("I love you" in Fijian), from his 2022 EP Spring Break, lays smooth harmonies over Fijian beats. The EP itself is filled with memorable melodies, upbeat pop styles, and uplifting lyrics. 

Etu has released singles for the past two years, including island renditions of Cyndi Lauper’s "True Colors" and Rihanna’s "Lift Me Up" in February. He’s set to release his debut album, SZN I,this summer. 

Etu believes Pacific Islanders are on the cusp of greatness in the music industry. "This is our moment right now," he continued to Island Mogul. "We’re moving into this era, in this season, where we get to make history… Come join this part of history or they're gonna tell it for us."

Myra Molloy

Thai American singer and actress Myra Molloy was merely 13 years old when she won "Thailand's Got Talent." She continued working in Thailand on Broadway productions and landed in the Top 6 of ABC’s Rising Star. As she pursued a music degree from Berklee College of Music, she found her love for music production and songwriting.

In 2021, Molloy dropped the sweet acoustic "stay." During the pandemic, she decided to apply the skills she acquired from college to her EP, unrequited. Released in November 2023, the album blends Molloy's soulful vocals with organic and electronic dance beats. It also marks her producing debut. 

"The hardest part for me was overcoming this impostor syndrome that I couldn’t be a producer (who was taken seriously, haha)," Molloy told Melodic Magazine. "Or that I wasn’t good enough to put out music I self-produced. I always give myself a hard time. But I feel like once I got into this "flow state," things just kind of came to me very quickly and naturally, and I would come out of a producing trance. Top ten best feelings."

As an AAPI advocate, Molloy has long called for more inclusion in television, film, and music. "I just want to see more. We are coming along slowly, but I want that to be faster. It should be more. I just want to see people taking more initiative." 

Shreea Kaul 

R&B singer Shreea Kaul embraces her Indian heritage by fusing her silky falsetto and soulful pitch with South Asian and Bollywood sounds. Her "Tere Bina" and its accompanying music video are heavily influenced by her cultural upbringing.

Kaul wanted to be a crossover artist for Western and Indian audiences but found the lack of foundation for South Asian music challenging. 

"There's so much power in community, especially in the South Asian community. We stick together. We support one another. The talent is undeniable. It's only a matter of time before people are going to catch on," she said on the "DOST" podcast. "What a lot of platforms are doing right now by bringing South Asian talent to the map is exactly what we need. So I've been trying to get myself into these spaces or just be around the community more because that's what it's going to take."

On her 2021 single "Ladke" (Hindi for "boys"), Kaul contacted fellow South Asian singer REHMA to collaborate on the song. The harmonious R&B track smoothly fuses Western elements with South Asian languages. Kaul received an overwhelmingly positive response for the song, which motivated her to keep going.

"There’s a spot in the market for artists like myself—for South Asian artists, in general," says Kaul. "Whatever degree of South Asian you want to be and incorporate into your music, there’s space for it."

ZHU

Chinese American experimental EDM music producer ZHU recorded his fourth studio album inside the historic Grace Cathedral. Released in March and fittingly titled Grace, it blends trap, gospel, dance, rock, and pop with synths, organs, and strings to create a sinister, sensual tone that perfectly complements his signature sultry vocals.

Grace pays homage to the legacy of the Bay Area and its impact on his life. "The recording of this project, as well as the whole purpose and design and visuals, has a lot of tribute to [San Francisco] thematically. I think a lot of people don’t even know that I grew up there," ZHU told EDM Identity.  

At the end of the recording, ZHU and his team donned black cloaks and held a concert in the cathedral, sharing the new album with thousands of lucky fans who could attend. Like the symbolism of the cathedral, ZHU’s album represented the themes of religion and his connection to home.

"I’ve never really shared a part of the city, but I think it’s time to pay some tribute to some of the great influences that have come through the area," says ZHU

Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou

AAPI Month Playlist 2024 Hero
(From left) ATEEZ, YOASOBI, Peggy Gou, Kanon of Atarashi Gakko!, Diljit Dosanjh, Laufey

Photos: KQ Entertainment; KATO SHUMPEI; Vittorio Zunino Celotto/Getty Images; Medios y Media/Getty Images; Presley Ann/Getty Images for Coachella; Lauren Kim

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Leap Into AAPI Month 2024 With A Playlist Featuring Laufey, Diljit Dosanjh, & Peggy Gou

Celebrate AAPI artists this May with a genre-spanning playlist spotlighting festival headliners and up-and-coming musicians. From Korean hip-hop to Icelandic jazz-pop, listen to some of the most exciting artists from the Asian diaspora.

GRAMMYs/May 1, 2024 - 02:47 pm

With spring just around the corner, it’s time to welcome AAPI Month in full blossom. From rising musical artists to inspiring community leaders, it’s essential to recognize AAPI members of the artistic world and their achievements.

While AAPI Month is a U.S. holiday, the Recording Academy takes a global approach in celebrating artists and creators from across the Asian and Asian American diaspora. This aligns with the Recording Academy's growing mission to expand its reach on a global scale and celebrate international creators outside of the U.S.  

Musicians of Asian American, Native Hawaiian and Pacific Islander heritage have not only helped establish the music industry, but have transformed it. From Diljit Dosanjh being the first artist to play a Coachella set entirely in Punjabi to Laufey winning a GRAMMY for her jazz-inspired pop, AAPI artists continue to influence music by both honoring tradition and reshaping modern standards.

It’s thrilling to see AAPI musicians continue to take centerstage — from Atarashi Gakko! to Tiger JK’s memorable sets at Coachella, to surprise appearances from Olivia Rodrigo, Dominic Fike, and Towa Bird. As festival season gets underway, examples of the AAPI starpower from every corner of the world abound.

As one of many ways to celebrate AAPI Month, listen to the GRAMMY.com playlist below — as a reminder to give AAPI musicians not just their May flowers, but their flowers all year-round!

Robert Glasper
Robert Glasper performs at Los Angeles Chapter Nominee Celebration 2024.

Photo: Jerod Harris / Getty Images for The Recording Academy

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The Recording Academy’s Los Angeles Chapter Honored Its Musical Family At 2024 GRAMMY Nominee Celebration

The unofficial kick-off to GRAMMY Week brought people from every corner of the music industry together for a sparkling celebration of Los Angeles' talents.

GRAMMYs/Jan 31, 2024 - 05:26 pm

Hundreds of music professionals gathered Jan. 27 for the Los Angeles Chapter of the Recording Academy’s annual nominee celebration, held at NeueHouse Hollywood. Hailed by Academy CEO Harvey Mason Jr. as the "unofficial kickoff to GRAMMY Week," the event featured performances by three of this year’s nominees from the chapter: Gaby Moreno, Robert Glasper, and Jordin Sparks

Chapter Board Vice President Lynne Earls said that the unofficial theme for both the board and the chapter this year is "belonging," and those vibes certainly trickled down to the nominee celebration. People from every part of the recording industry came together to enjoy brunch, have some drinks, and mix and mingle. 

Groups of attendees called out friendly greetings to each other, catching up over mimosas and waffles, and attendees exchanged hugs while clad in everything from cocktail dresses to platform combat boots. Not unlike at the actual GRAMMY Awards, fashion was truly on parade at the nominee celebration. Attendees rocked fully bedazzled suits, bespoke leather jackets, and plush safari print hoodies; at least one crystal-covered clutch resembling an old school cassette was spotted.

While many attendees at the event undoubtedly hope to take home a golden gramophone on Feb. 4, Mason took pains to remind the room that being nominated for the award is just as life-changing. "Being a GRAMMY nominee… that goes with you for your entire life and your entire career. On your bio, it's always going to say ‘GRAMMY nominee,’ and hopefully it's going to say ‘GRAMMY winner.’"

In his remarks, Recording Academy President Panos Panay agreed with Mason but made a special effort to remind attendees that being a member of the GRAMMY family is more than just attending an awards show once a year. 

"We're known for the GRAMMYs, which are the big graduation ceremony … but what's important to know is that the Academy works 365 days a year," he said. "We're here to advocate for the creative class." He encouraged non-member attendees to join the Academy, saying "We really would love to have you become a member of this incredible group of professionals." 

Qiana Conley Akinro, the Senior Executive Director of the Recording Academy Los Angeles Chapter, also encouraged attendees to stop into the D.R.E.A.M. Lounge on the second floor of NeueHouse, which had been set up in partnership with Pacific Bridge Arts, Paper Magazine, and Netflix and featured a gifting suite full of Hallmark Mahogany items and a bloom bar by Postal Petals. Several panels were held in the space, which was given the D.R.E.A.M. acronym from the phrase "Diversity Reimagined Engaging All Musicians." Earls talked about her work with Women In The Mix and Academy Proud, while Academy Governor Kev Nish hosted a panel talking about the Gold Music Alliance, which aims to boost the impact of Pan-Asian people within both the GRAMMY organization and the recording industry.

After the panels, various nominees stopped by the D.R.E.A.M. video studio to give testimonials about how they found out they’d been honored. Best Jazz Arrangement, Instrument and Vocals nominee Maria Mendes relayed the importance of being the first Portuguese person nominated for a GRAMMY in the category, as well as her pride in repping her country’s music. Mendes even shouted out the jewelry and fashion designers behind her upcoming GRAMMY ceremony look, both of which are from Mendes’ home country. 

Colombian singer and Best Latin Pop Album nominee AleMor said she’s proud to represent her home country and independent artists. "I'm honored that I get to be here, and I am grateful that I'm alive at the same time as all of the people that are alive now," she told onlookers. "I think music is like invisible medicine, you know, like you listen to a song and it might make you feel good and you have no idea why. We are little magicians in the world, We get to change people's moods, and we get to change the way people see life."

2024 GRAMMY Nominations: See The Full Nominees List

The Los Angeles Chapter Nominee Celebration was made possible by generous support from Premier Sponsor Netflix, Co-Presenting Sponsors Pacific Bridges Arts, Paper Magazine, Official Sponsors SESAC Latin and NeueHouse Hollywood, and Gifting Sponsors Hallmark Mahogany, HYPNO, Fox Dog Productions, the Canadian Consulate, and VYDIA.

Kendrick Lamar GRAMMY Rewind Hero
Kendrick Lamar

Photo: Jeff Kravitz/FilmMagic

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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016

Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.

GRAMMYs/Oct 13, 2023 - 06:01 pm

Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.

A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.

This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system. 

"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."

Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!

He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.

"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.

"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood." 

Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.

Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes. 

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