Lizzo won Best Traditional R&B Performance For "Jerome" at the 62nd GRAMMY Awards. This marks her first-ever GRAMMY win. Shortly after, she also took home Best Urban Contemporary Album for her major 2019 breakout album, Cuz I Love You. She was the most-nominated artist for the 62nd GRAMMYs, with eight nominations going into Music's Biggest Night. 

"Jerome" was featured on Lizzo's third studio album, Cuz I Love You, which included other standout tracks such as "Juice" and "Like A Girl." The track was produced with the rock band X Ambassadors.

The "Juice" singer bested fellow nominees BJ The Chicago Kid, India.Arie, Lucky Daye, PJ Morton featuring Jazmine Sullivan. In addition to taking home her first GRAMMYs, the singer/songwriter busted out her flute for a rousing opening performance of the show with a rendition of her tunes "Cuz I Love You" and "Truth Hurts."

Check out all the complete nominees and winners list here.

A child of New York’s ultra-niche soul revival scene of the early 2000s, multi-instrumentalist turned producer Leon Michels has had an extensive reach into global pop music. As both producer and session man, Michels has worked with the Carters, Norah Jones, Black Thought, the Black Keys, Kalis Uchis, and Aloe Blacc — to name a few.

He has held to a specific creative vision for more than two decades, first through his heavily sampled El Michels Affair projects and a healthy schedule of releases through Truth & Soul records and later, Big Crown, the label he co-founded with DJ Danny Akalepse in 2016. He runs a studio in upstate New York called the Diamond Mine North, where he does most of his work since relocating from New York City in 2017. He has two GRAMMY nominations to his name, for Mary J. Blige’s Good Morning Gorgeous and Lizzo’s Special.

Trained originally on piano, he took up drums and eventually saxophone through the guidance of his high school music teacher, Miss Leonard. "[She] is actually the person I owe it all to. She started this jazz band when I was in fifth grade, and there's no drummer, so she asked me if I would learn drums," he tells GRAMMY.com. "I did that, and she would give me Duke Ellington cassettes, Sydney Bichet, Johnny Hodges. She would just feed me music."

Daptone Records co-founder Gabe Roth recruited and mentored Michels while he was still in high school, and the teenager soon became a regular touring member of what would become the Dap-Kings, backing singer Sharon Jones during an early run of success in the mid-2000s. " I joined Sharon Jones when it was the Soul Providers. We went on tour in Europe with them. Somehow my parents let me do it. I don't even understand. Gabe came over and sweet-talked them."

Michels left the group in 2006 after seven intense years, wanting to spend more time recording than enduring the grind of touring. His chosen timing caused him to miss out by mere "months" on the group’s recording sessions for Amy Winehouse’s four-time GRAMMY winner Back To Black. Despite what appeared to be a major missed opportunity, he turned his focus to his group El Michels Affair after initial encouragement from the 2005 album Sounding Out The City, released on Truth & Soul, the label he had co-founded. 

Finding his inspiration in the intersections of soul and hip-hop, as a fully committed instrumentalist producer, he was able to develop an analog soundscape that quickly caught the ears of artists including Raekwon and other Wu-Tang Clan alumni, with whom he toured in 2008. This led to the follow-up album Enter The 37th Chamber in 2009. Samples from El Michels Affair, including those by Ghostface Killah, Jay-Z, Just Blaze, J. Cole, and Travis Scott quickly proliferated and opened doors. Via the Lee Fields album My World, Michels' work caught the attention of Dan Auerbach, with whom he and his longtime collaborator and bassist Nick Movshon toured from 2010 to 2012.

Producing the Aloe Blacc song "I Need A Dollar" in 2010 further enhanced his credentials and provided the financial stability to allow him to be true to his creative spirit, which he has done successfully over the last decade.

Leon Michels spoke to GRAMMY.com about some key career recordings, including his latest release with singer Clairo.

Clairo – "Sexy to Someone" (Charm, 2024)

I met Clairo almost three years ago. I made a record with her that took three years to complete, which is actually one of the longest stretches I've ever spent on a record.

She’s made two records before this. Her first record, Immunity, came out when she was 19. It's a pop record, and it was very successful. But she's a total music nerd like me. She’s constantly scouring the Internet for music. The way people, especially young people, ingest music these days is just insane. She's got great taste.

Her first record was super successful. She made her second record, Sling, with Jack Antonoff, and it was an ambitious folk record, and a huge departure from her first record. I think it caught her audience off guard, but it was kind of a perfect move because now she can make whatever she wants. 

When she came to me, I was excited but slightly confused. What do I do? Because in those situations, you think, well, I need to facilitate a successful pop record, but she just wanted all the weird s—.

It’s this cool mix of pop elements, but some of the music sounds like a Madlib sample. All of it is steeped in pretty cool references and older music, but her perspective is a 25-year-old’s, and she’s an incredible songwriter. It's a really cool mix.

Norah Jones - "Running"  (Visions, 2024)

Norah used to hit up me and Dave Guy, trumpet player in the Menahan Street Band and the Roots, if she needed horns.

As we were coming out of the pandemic, she hit me up and wanted to make some music. We made a few songs and then after that, she asked me to produce her Christmas record, which was super fun because I've never listened to Christmas music. I started to enjoy it, which was weird because I had thought I hated Christmas music. I mean, once you start to dig for Christmas records, pretty much all of your favorite artists have them. I was listening to Christmas music from March to October the entire year. 

After that, we made Visions, which is all original stuff. Norah's just so talented. Her musicianship is actually some of the most impressive I've ever seen or worked with. She's so good that when I play with her, I get intimidated and I forget basic harmony and music theory!

Read more: 5 Inspirations Behind Norah Jones' New Album 'Visions': Nightly Dreams, Collabs, Harmony Stacks & More

We cut that record,  mostly just the two of us. There's a couple of songs where we got a band, but most of it was in my upstate studio. She would just come over from nine to three. She would come after she dropped her kids at school and then have to leave to pick them up. It was super fun to make, essentially just jamming all day.

[Overall] it’s not a huge departure for Norah, but sonically it is a departure, and it's got this very loose, "un-precious" quality. That's maybe a little different from her other stuff.

"Running" was her choice as a single. When it comes to singles — the songs that have actually been most successful — I've wanted to take those off the record. I have no idea what's going to be the hit or not.

Black Thought - "Glorious Game" (Glorious Game, 2023)

That was a total pandemic record — at the start of the pandemic when everyone was completely locked in, we had no idea what was going on.

Black Thought texted me out of the blue, and I think he was just trying to stay busy. So he just said, "Can you send me songs?" I sent him maybe two songs and then he sent back finished verses three or four hours later. Most of that record was just me sending him s— and him sending it back, and then going like that. We had probably 20 songs. 

The time I did spend in the studio with him was, he's a total savant. He sits there while you're playing a song, and it kind of looks like he's on Instagram or f—ing around, you know what I mean? Does this guy even like this song? And then 45 minutes later, he’ll be like "Aight, ready." And he goes in there and, and he'll rap four pages of lyrics in one take. It's insane. He remembers everything;  we'll do a song and then three years later, he'll have to redo it, but he'll know the lyrics from memory.

There's a couple of things that I figured out on that record. One: The thing I love about sampled hip-hop production the most is it's almost always pitch-shifted, which makes a giant difference in the sound. And if the piano has decay or vocals have vibrato, when you pitch it up, it becomes something that is so uniquely hip-hop. The second thing was, with hip hop, one of the best parts about sampling is the choices a producer has to make when they are limited to chopping a two-track mix.  If you have multi-tracks, there are too many options. 

I think that record resonated with people who are hip-hop aficionados who really love the art of emceeing. 

Aloe Blacc - "I Need A Dollar" (Good Things, 2010)

We had just recorded the Lee Fields record, My World. Eothen Alapatt, who used to be a label manager at Now Again, was a friend of mine. [Jeff Silverman and I] started Truth & Soul, but we had no infrastructure. We thought My World would have a bigger reach if Stones Throw took care of the press and distribution. And so Eothen said "Yeah, we can do that, but instead of paying us, just make a record with this artist we have, Aloe Blacc."

I had no idea who he was. And so that was the business deal. We didn't get paid for the record initially. The payment was that they were going to promote Lee Fields record for us. So [Aloe] came to New York, and I did it with my partner at the time, Jeff Silverman, also Nick Movshon, who played on the entire record.

He wanted to do this Bill Withers thing. "I Need A Dollar" was probably my least favorite song on the record. I think I have this aversion to anything that's slightly cheesy, but I've gotten better at it. But at the end of the day, it's just a good song. It got picked up as the theme song to an HBO pilot called "How To Make It In America." And then, it just blew up in Europe. It was No. 1 everywhere. But it never hit in America.

It kind of set me off on a weird path for a minute, because I got a taste of success. And made some poor career decisions. I tried to a do lot of songwriting sessions with strangers.  It was maybe four years until I decided to just make El Michels Records.  

The Carters - "SUMMER" (EVERYTHING IS LOVE, 2018)

At the time, I was making these sample packs and sending them out to producers. One of them was this slow jam, and so the producers called me up and said "We used one of your samples. It's for a giant artist. We can't tell you who it is. You have to approve it now. And you can't hear it, but it's going to change your life." That’s what they kept saying to me. Then they said "It's coming out in two weeks."

So I figured they used one of my samples and chopped it up and did their thing to it.  And so when the record came out, it was Beyoncé and Jay-Z. It was the first track on that record they did together, the Carters. And it was mostly just my original sample with some new bass and string section. So basically it was just Beyoncé and Jay-Z over an El Michael's Affair track. The track was called "Summer," and my original never came out. 

So just hearing Beyoncé, hearing these giant pop voices that I associate with absolute hits, over my song, that was pretty cool.

Liam Bailey - "Dance With Me" (Zero Grace, 2023)

Me and him just have a very crazy chemistry when it comes to music, because it all happens super fast and with very little thought. Sometimes I'll listen to Liam's stuff, and I actually don't know how we did it. That is actually the goal. That’s why Lee "Scratch Perry" is the greatest producer of all time, because he could access that instant input, instant output type of creativity. It just passes through him and then it's on the record. Making music with Liam is like that; I'll make some instrumental, or I'll have an idea and then he'll freestyle lyrics one or two times.

To me, it sounds gibberish, but then he'll go through it and change one or two words and all of a sudden has this crazy narrative, and it's about his childhood [for example]. When I’ve worked with him, he has this same process where it's just kind of "hand to God" s—, just let it happen. I was trying to make something the way Jamaicans did, [like] that brand of Jamaican soul from the mid-'60s. 

Brainstory - "Peach Optimo" (Sounds Good, 2024)

I met those guys through Eduardo Arenas, who's the bass player from Chicano Batman, and he had recorded a couple of demos from them. And they had one song in particular that really caught my attention, which made it onto their first record called "Dead End."

They’re three jazz kids. Their dad was a gospel singer and loved soul and Stevie Wonder. So they grew up on all that stuff as well. Producing a band like Brainstory is super easy, because they rehearse all the time. Most of their songs are written; all I have to do is maybe shuffle around sections or just essentially cut stuff out. Because a lot of times when bands write music and rehearse every day, they just love to play, so sections are endless. 

I'll…have a sound in mind for the record, some reference for me and the engineering hands to kind of work from. And in the case of Sounds Good, the reference for the whole sound of the record was that this is Gene Harris song called "Los Alamitos Latin Funk Love." This is kind of the vibe of the entire record. We just cut that record over the course of a year, but it was two sessions that were maybe six days each. 

Kevin is the main vocalist and he's amazing. He can do that sweet soul background stuff perfectly. And when he does [his own] background vocals, it's this thing that not a lot of people can do where he changes his personality. So he becomes three different people. Then the background sounds like an actual group. 

Behind Mark Ronson's Hits: How 'Boogie Nights,' Five-Hour Jams & Advice From Paul McCartney Inspired His Biggest Singles & Collabs

As momentous as the 2024 GRAMMYs telecast will be, it will only cover a fraction of the actual GRAMMY nominations.

The realities of TV broadcasting mean the wider world only gets to see, not the whole iceberg, but merely the tip. This by way of its head-turning, world-shifting General Field Categories including Album Of The Year, Record Of The Year, and Best New Artist.

Yes, the General Field Categories boast the most visibility. But while they may be listed at the top of the nominations list, they are never meant to overshadow those beneath — not by a long shot.

That’s why the Recording Academy puts so much time, intention and care into the Premiere Ceremony, which annually precedes the main GRAMMYs telecast. And by all accounts, the 2024 iteration will be one for the ages.

The 66th Annual GRAMMY Awards Ceremony & Livestream will air at 12:30 p.m. PT/3:30 p.m. ET on live.GRAMMY.com and the Recording Academy's YouTube channel. City National Bank, the Official Bank of the GRAMMY Awards, is returning for its second year as the presenting sponsor of the Premiere Ceremony.

The Premiere Ceremony is the most incredible lead-up to Music's Biggest Night," Recording Academy CEO Harvey Mason jr. said in a statement. "With an amazing line-up of presenters and performers, we'll reveal and celebrate the winners of more than 80 Categories, spanning the diverse genres and crafts that have contributed to such a spectacular year in music."

Read on for a list of four reasons to be thrilled for the Premiere Ceremony — and we’ll see you on the stream!

A Star-Studded Opening Number

The opening performance at the Premiere Ceremony is always a highlight, and this year promises to be no exception: J. Ivy, Larkin Poe, Pentatonix, Sheila E., and Jordin Sparks.

At the 2024 GRAMMYs, J. Ivy is nominated for Best Spoken Word Poetry Album, for The Light Inside. Poe is up for Best Contemporary Blues Album, for Blood Harmony. For Holidays Around the World, Pentatonix earned a nomination for Best Traditional Pop Vocal Album.

Finally, for her feature on for KING & COUNTRY’s “Love Me Like I Am,” Sparks is up for Best Contemporary Christian Music Performance/Song. (E., though being a four-time GRAMMY nominee, is not nominated at the 2024 GRAMMYs.)

Stellar Performers All Around

The rest of the 2024 GRAMMYs Premiere Ceremony will feature brilliant performers. These musicians will showcase the wide range of genres the Academy celebrates on GRAMMY night, as well as the diverse creators in the Academy and the music industry at large.

These include current nominees Adam Blackstone, Brandy Clark, Kirk Franklin, Robert Glasper, Bob James, Laufey, Terrace Martin, and Gaby Moreno and David Aguilar, as well as GRAMMY-nominated recording artist/drummer Harvey Mason Sr.

The Music’s In Great Hands

The music producer and music director of the 2024 GRAMMYs Premiere Ceremony will be Cheche Alara, a GRAMMY-and Latin GRAMMY-winning music master who has worked on titanic albums by Lady Gaga, Christina Aguilera, Natalia Lafourcade, and many more.

With Alara at the helm, the Premiere Ceremony won’t just celebrate music — it’ll be a bastion of outstanding music itself.

You Get The Complete GRAMMYs Experience

Don’t think of the Premiere Ceremony as the mere ramp-up to the 2024 GRAMMYs; think of them as two pieces of one GRAMMYs experience.

By carefully watching the Premiere Ceremony as well as the main telecast, you get the entire sense of where music is headed, through the lens of the world’s leading society of music people.

So tune into both the 2024 GRAMMYs Premiere Ceremony and the 2024 GRAMMYs themselves — if you love this universal artform, and wish to elevate it, join us on Feb. 4 for Music’s Biggest Night!

How To Watch The 2024 GRAMMYs Live: GRAMMY Nominations, Performers, Air Date, Red Carpet, Streaming Channel & More

GRAMMY night just got bigger! The Recording Academy has announced performers and presenters, as well as the host, for the 2024 GRAMMYs Premiere Ceremony. The Premiere Ceremony kicks off with an opening number featuring a performance by J. Ivy, Larkin Poe, Pentatonix, Sheila E., and Jordin Sparks. Other artists scheduled to perform include current nominees Adam Blackstone, Brandy Clark, Kirk Franklin, Robert Glasper, Bob James, Laufey, Terrace Martin, and Gaby Moreno and El David Aguilar, as well as GRAMMY-nominated recording artist/drummer Harvey Mason Sr. Acclaimed songwriter/producer and activist Justin Tranter, who is currently nominated for Songwriter of the Year, Non-Classical, will host the 2024 GRAMMYs Premiere Ceremony.

Presenters at the 2024 GRAMMYs Premiere Ceremony include Patti Austin, Natalia Lafourcade, Carly Pearce, Molly Tuttle, Rufus Wainwright, and five-time GRAMMY winner and former Recording Academy Board of Trustees Chair Jimmy Jam. Recording Academy CEO Harvey Mason jr. and Chair of the Board of Trustees Tammy Hurt will provide opening remarks.

Taking place at Peacock Theater in Los Angeles hours before the 2024 GRAMMYs, the 2024 GRAMMYs Premiere Ceremony, officially known as the 66th GRAMMY Awards Premiere Ceremony, is a special presentation in which the majority of the night’s GRAMMY Awards are awarded. The 2024 GRAMMYs Premiere Ceremony will stream live on Sunday, Feb. 4, at 12:30 p.m. PT/3:30 p.m. ET on the Recording Academy's YouTube channel and on live.GRAMMY.com. City National Bank, the Official Bank of the GRAMMY Awards, is returning for its second year as the presenting sponsor of the Premiere Ceremony.

"The Premiere Ceremony is the most incredible lead-up to Music's Biggest Night," Recording Academy CEO Harvey Mason jr. said. "With an amazing line-up of presenters and performers, we'll reveal and celebrate the winners of more than 80 Categories, spanning the diverse genres and crafts that have contributed to such a spectacular year in music."

Learn more about the 2024 GRAMMYs Premiere Ceremony performers, presenters and host, who are all mostly current nominees at the 2024 GRAMMYs, below.

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Austin is nominated for Best Jazz Vocal Album (For Ella 2 Featuring Gordon Goodwin's Big Phat Band); Blackstone is nominated for Best Jazz Performance ("Vulnerable (Live)" Featuring The Baylor Project & Russell Ferranté) and Best Jazz Instrumental Album (Legacy: The Instrumental Jawn).

Meanwhile, Clark is nominated for Best Musical Theater Album (Shucked), Best Country Solo Performance ("Buried"), Best Country Song ("Buried"), Best Americana Performance ("Dear Insecurity" Featuring Brandi Carlile), Best American Roots Song ("Dear Insecurity" Featuring Brandi Carlile), and Best Americana Album (Brandy Clark).

Franklin is nominated for Best Gospel Performance/Song ("All Things"); Glasper is nominated for Best R&B Performance ("Back To Love" Featuring SiR & Alex Isley) and Best R&B Song ("Back To Love" Featuring SiR & Alex Isley).

James is nominated for Best Contemporary Instrumental Album (Jazz Hands); J. Ivy is nominated for Best Spoken Word Poetry Album (The Light Inside); Lafourcade is nominated for Best Latin Rock Or Alternative Album (De Todas Las Flores).

Larkin Poe is nominated for Best Contemporary Blues Album (Blood Harmony); Laufey is nominated for Best Traditional Pop Vocal Album (Bewitched); Martin is nominated for Best Progressive R&B Album (Nova with James Fauntleroy).

Moreno is nominated for Best Latin Pop Album (X Mí (Vol.1)); Pearce is nominated for Best Country Duo/Group Performance ("We Don't Fight Anymore" Featuring Chris Stapleton); Pentatonix is nominated for Best Traditional Pop Vocal Album (Holidays Around The World).

Sparks is nominated for Best Contemporary Christian Music Performance/Song ("Love Me Like I Am" with for KING & COUNTRY); Tranter is nominated for Songwriter Of The Year, Non-Classical; Tuttle is nominated for Best Bluegrass Album (City Of Gold with Golden Highway); Wainwright is nominated for Best Folk Album (Folkocracy).

The 2024 GRAMMYs will broadcast live following the Premiere Ceremony on CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT. See here for the full list of nominees at the 2024 GRAMMYs. Learn more about how to watch the 2024 GRAMMYs. See the full list of performers and host at the 2024 GRAMMYs to date.

The 66th GRAMMY Awards Premiere Ceremony is produced by Branden Chapman, Ruby Marchand, Chantel Sausedo, and Rex Supa on behalf of the Recording Academy. Greg V. Fera is executive producer and Cheche Alara is music producer and music director.

2024 GRAMMY Nominations: See The Full Nominees List

Since the start of her career, four-time GRAMMY winner Lizzo has been making music that radiates positive energy. Her Record Of The Year win for "About Damn Time" at the 2023 GRAMMYs proved that being true to yourself and kind to one another always wins.

Travel back to revisit the moment Lizzo won her award in the coveted category in this episode of GRAMMY Rewind. 

"Um, huh?" Lizzo exclaimed at the start of her acceptance speech. "Let me tell you something. Me and Adele are having a good time, just enjoying ourselves and rooting for our friends. So, this is an amazing night. This is so unexpected."

Lizzo kicked off her GRAMMY acceptance speech by acknowledging Prince's influence on her sound. "When we lost Prince, I decided to dedicate my life to making positive music," she said. "This was at a time when positive music and feel-good music wasn't mainstream at that point and I felt very misunderstood. I felt on the outside looking in. But I stayed true to myself because I wanted to make the world a better place so I had to be that change."

As tracks like "Good as Hell" and "Truth Hurts" scaled the charts, she noticed more body positivity and self-love anthems from other artists. "I'm just so proud to be a part of it," she cheered.

Most importantly, Lizzo credited staying true to herself despite the pushback for her win. "I promise that you will attract people in your life who believe in you and support you," she said in front of a tearful audience that included Beyoncé and Taylor Swift in standing ovation, before giving a shout-out to her team, family, partner and producers on the record, Blake Slatkin and Ricky Reed. 

Watch the video above for Lizzo's complete acceptance speech for Record Of The Year at the 2023 GRAMMYs. Check back to GRAMMY.com for more new episodes of GRAMMY Rewind, and be sure to tune into the 2024 GRAMMYs on Sunday, Feb. 4, airing live on the CBS Television Network (8-11:30 p.m. LIVE ET/5-8:30 p.m. LIVE PT) and streaming on Paramount+ (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).

10 Must-See Moments From The 2023 GRAMMYs