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![The Monster aka T-Pain](https://i8.amplience.net/i/naras/t-pain_masked_singer_gettyimages-1077147288.jpg.jpg)
The Monster aka T-Pain
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The GRAMMY Artists Behind The Masked Singer: T-Pain, Gladys Knight & More
The show's winner, rapper T-Pain, earned his first GRAMMY in 2007 for his feature on Kanye West's "Good Life"
Last night "The Masked Singer," the newest TV singing competition which has contestants dressed up in costumes to hide their identities, crowned its winner: GRAMMY-winning rapper T-Pain aka "The Monster."
Throughout the season, fans were left guessing which artists were behind the elaborate animal costumes only being given clues to their identities, like the number of GRAMMYs a singer had. Identities were revealed after each elimination, but three unmasked singers remained in the finale. Now that the show has come to an end and all 12 contestants have been unmasked, let's meet the five GRAMMY-winning/-nominated artists.
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T-Pain Aka Monster
The winner of the show is Florida-born rapper T-Pain, who now has another golden trophy to add to his collection of accolades including two GRAMMYs. He proudly keeps his golden gramophones on display in his studio in Atlanta, home to the label he founded, Nappy Boy Entertainment. Is this where he'll keep his new trophy too? We can only wonder.
T-Pain entered the scene in 2005 with his debut album Rappa Ternt Sanga, featuring the popular single "I'm Sprung," where he sings and raps. His rap verses are stylized with a healthy dose of auto-tune, which he is often credited with popularizing.
At the 50th GRAMMY Awards he earned five nominations, including for his hit single "Bartender," from his 2007 sophomore album, and for his feature on Kanye West's "Good Life," which won the pair Best Rap Song. T-Pain took home his second win two years later at the 52nd GRAMMY Awards for "Blame It," his collab with actor/singer Jaime Foxx.
In 2014 he reminded the world of his powerful singing voice, placing it front and center, sans effects, during his soulful Tiny Desk Concert. As he told series producer NPR, "People felt like I was using it to sound good. But I was just using it to sound different." Now, with the anonymity of the furry Monster costume, T-Pain sang his heart out to the world. During his final performance from behind the mask, he shared how the experience had been a powerful one for him:
"It feels so good to do what I love and be able to do it freely. I've always wanted to be able to perform without the fear of being judged," T-Pain said.
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More: Where Do You Keep Your GRAMMY: T-Pain On What His GRAMMY Wins Mean To Him
Gladys Knight Aka Bee
The Bee, whose clues included that she had been entertaining people for decades, was none other than seven-time GRAMMY-winning soul legend, Gladys Knight. The Atlanta-born songstress gained popularity in the mid-'60s when her group, Gladys Knight & The Pips, signed with Motown and began releasing chart-topping hits, including their version of "I Heard It Through The Grapevine" in 1967. Knight would earn her first of many career GRAMMY nominations at the 10th GRAMMY Awards for her solo recording of the single.
She continued to release countless hits over the years as a solo artist and with The Pips. As a group, The Pips earned their first two GRAMMY wins at the 16th GRAMMY Awards, including for their classic "Midnight Train To Georgia." They released their final album as a group in 1987, All Our Love, featuring the upbeat single "Love Overboard," which earned them Best R&B Performance By A Duo Or Group With Vocal at the 31st GRAMMY Awards.
Knight is truly a living legend and has proven her ability to use her powerful voice to transform her sound and captivate audiences across the decades. Her most recent GRAMMY, for One Voice, earned her a win for Best Gospel Choir Or Chorus Album. As she said from behind the Bee costume, "I came on this show determined to connect with a new generation." Indeed, viewers know now another legendary Queen Bee.
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Tommy Chong Aka Pineapple
Behind the Pineapple was another living legend, Canadian-born comedian, actor and guitarist Tommy Chong, of the ground-breaking comedic duo Cheech & Chong. Chong, along with his long-time collaborator, Cheech Marin, has earned six GRAMMY nominations for Best Comedy Recording, taking home a win in the category for Los Cochinos at the 16th GRAMMY Awards. The pair have used comedy to speak up for immigrant rights and the legalization of marijuana for years.
While still behind the Pineapple mask, Chong shared that he's beaten a life-threatening disease (he's battled with cancer) so it was time to live life to the fullest and check things off the bucket list. "Life is short man, you gotta seize the day before your dreams go up in smoke," he said on the show, a nod to the duo's cult-classic film, Up In Smoke.
Margaret Cho Aka Poodle
Behind the pink and white Poodle was another comedian, GRAMMY nominee Margaret Cho. The San Francisco-born actress/comedian/fashion icon has earned five career GRAMMY nominations, also for her spoken-word comedy albums. She has been acting and doing stand-up since the mid-'90s, making waves while covering important, pressing topics of our time, especially around race, sexuality and queerness.
Joey Fatone Aka Rabbit
Last but not least, behind the Rabbit was GRAMMY-nominated singer Joey Fatone, from one of the most unforgettable boybands of all time: 'NSYNC. The group took over the airwaves in the 2000s with catchy songs like "Tearin' Up My Heart," from their self-titled debut, and "Bye Bye Bye" from 2000's No Strings Attached. At the 43rd GRAMMY Awards the album, which marked a split from their prior manager and label, earned them a second round of nominations, including for Best Pop Album and Record Of The Year for "Bye Bye Bye."
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T-Pain Wins 'The Masked Singer,' Followed By Donny Osmond And Gladys Knight
![Chair of the Recording Academy's Board of Trustees Tammy Hurt, Trustees Honoree Award Honoree DJ Kool Herc, Cindy Campbell and CEO of the Recording Academy and Musicares Harvey Mason Jr.](https://i8.amplience.net/i/naras/2024-Special-Merit-Awards-recording-academy-dj-kool-herc.jpg)
Photo: Emma McIntyre/Getty Images for The Recording Academy
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Inside The 2024 Special Merit Awards Ceremony Honoring N.W.A, Gladys Knight, Donna Summer & More
A deeply emotional pre-GRAMMY ceremony honored an extraordinary group of musical creators, pioneers, educators and icons including the Clark Sisters, Tammy Wynette, K'naan and others legendary innovators.
This year, the Special Merit Awards ceremony was not for the faint of heart.
The 2024 GRAMMY Week event, held Saturday at a capacity Wilshire Ebell Theatre in Los Angeles, presented Lifetime Achievement Awards, Trustees Awards, the Technical GRAMMY, and the Music Educator Award to a dazzling gallery of musical innovators whose work has generated deep emotional connections across decades. In a world currently ensnared in a pattern of global conflict, the presentation of the award for Best Song for Social Change for the first time at the Special Merit Award ceremony this year added an extra layer of poignancy.
The presentation was touching from the very beginning, with a video montage of previous winners set to the historic recording of Aretha Franklin singing the Puccini aria "Nessuna Dorma." Glimpses of many legendary faces and performances on the screen underscored the Academy’s empathy for impactful music history: from Marvin Gaye to Janis Joplin; Billie Holiday to The Carter Family; The Beatles and Tina Turner to Dolly Parton and The Supremes.
The 2024 Music Educator Award was then given to Annie Ray, a music teacher and orchestra leader from Annandale, Virginia selected for her relentless positivity and inclusive energy. "Orchestra is much more than a class — it’s a family," said one of her students during a brief video chronicling her work. Ray, whose classrooms include students from 66 different countries — put together, they speak 59 languages — was visibly touched as she received the award. "I am thankful to share with the world what my students have taught me," she said.
The year’s Technical GRAMMY belonged to Tom Scott and the late Tom Kobayashi, who met at Lucasfilm’s Skywalker Sound in 1985 and together launched the Entertainment Digital Network (EDnet), which allows the sharing of high-quality video and audio. An estimated 250,000 musical collaborations have been facilitated by their innovations, including many GRAMMY performances.
Next up were the three Trustee Awards: British pop legend Peter Asher, member of Peter & Gordon, prolific A&R executive, producer, manager, and a self-professed "admirer and member of the Recording Academy for almost 60 years"; legendary entertainment attorney and former Recording Academy Chairman Joel Katz, known as "the dealmaker who thinks outside of the box"; and Jamaican American DJ Kool Herc, renowned as one of the founders of East Coast hip-hop in ‘70s. He received the award joined by his sister Cindy who promoted his initial series of parties in the Bronx, noted for his groundbreaking use of two turntables and the extension of funky breaks in songs.
It was time to honor the Lifetime Achievement recipients, and a sprightly Laurie Anderson stepped onstage and gave a witty assessment of her reputation as an uncompromising song alchemist. "They say my music is experimental, which sounds like doing something in the lab that might explode," she said. From her wonderfully robotic, left-field 1982 hit "O Superman" to her poetic concept album Homeland in 2010, Anderson has created her share of aesthetically explosive works of the art-pop and avant-garde variety.
"I love music so much, and I married a musician," she said acknowledging her husband, the late Lou Reed. "Wouldn’t it be great if there was a piano on every corner?"
The best-selling female gospel group in history, Detroit-based The Clark Sisters are known for their soaring vocal harmonies and powerhouse hits like "You Brought The Sunshine."
"We thank our Lord and Savior for allowing us to do what we do: singing," they said, adding words of gratitude for their mother — "the lady who paved the way" — the late choral director Dr. Mattie Moss Clark.
The importance of a rich spiritual life was also emphasized by Motown legend and Soul empress Gladys Knight. The singer known for classic hits such as "Midnight Train to Georgia" and a raucous rendition of "I Heard It Through The Grapevine" beamed onstage as she recalled her beginnings in music, before she became an international star with The Pips. "We had to go to church every Sunday, and it did make a difference," she said. "Everybody was singing around me when I grew up. And my mom would never allow me to do it easy. It had to come from the heart."
It was time to witness the strength of street knowledge. Delving into the very core of hip-hop identity, Bone Thugs-N-Harmony presented the Lifetime Achievement Award to N.W.A, the revolutionary Los Angeles collective that transformed the landscape of popular music with its 1988 debut Straight Outta Compton. The group was joined by the mother and son of late rapper Eazy-E, who passed away in 1995 at age 30. The surviving members of the group – excepting Dr. Dre, who was celebrating his daughter’s birthday and sent a text greeting – looked vindicated. "We always knew that a GRAMMY was not in the cards for us, but we still wanted to express ourselves," said Ice Cube. "When you do your thing, the world will come to you."
Donna Summer, the ethereal and visionary singer who took disco music into progressive territory during the ‘70s, passed away in 2012. The "I Feel Love" star received a posthumous Lifetime Achievement Award on Saturday — and her husband Bruce Sudano and their three daughters were there to collect it. "Her voice and music are omnipresent in the [cultural] zeitgeist," said Sudano. "Donna continues to inspire people worldwide. She always referred to herself as an ordinary girl."
Last but not least, GRAMMY winning country star Tammy Wynette, who died in 1998, was also honored with a Lifetime Achievement Award — accepted by her daughters, Georgette Jones and Jackie Daly.
"Mom would feel very humbled to be in such a talented group of people," Jones said. "She always thought that the GRAMMYs were the biggest accomplishment in music. And she never fully understood her own impact."
When rapper and singer K’naan was a child in Mogadishu, his mother managed to get the family out of Somalia on the last commercial flight before the civil war erupted. Together with songwriters Gerald Eaton and Steve McEwan, K’naan was honored with the Best Song for Social Change award for "Refugee," a track about the plight of political refugees around the world.
"In the Somali language, the word 'home' derives from the word 'mother,'" explained K’naan as he received the award to a standing ovation. "I dedicate this GRAMMY to my home — my mother."
2024 GRAMMY Nominations: See The Full Winners & Nominees List
![The Recording Academy's 2024 Special Merit Awards honorees, including](https://i8.amplience.net/i/naras/2024_grammys_special_merit_awards_lifetime_achievement_award_Hero_1644x925.jpg)
Photo Credits: Derek Blanks; Mel Elder, Jr.; Michael Ochs Archives; Stephanie Diani; Kim Virdi; TiVo; photo courtesy of SMPTE; Copyright Brian Leatart; Gittings; Steve McEwan; Henry Diltz; Kobayashi Family; Johnny Nunez/WireImage; Nabil Elderkin
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The Recording Academy Announces 2024 Special Merit Award & Lifetime Achievement Award Honorees: N.W.A, Gladys Knight, Donna Summer, DJ Kool Herc & Many More
The 2024 Special Merit Awards honorees include Lifetime Achievement Award recipients Tammy Wynette, the Clark Sisters, and many others. The Special Merit Awards will return to the Wilshire Ebell Theater on Saturday, Feb.3, during GRAMMY Week 2024.
Ahead of the 2024 GRAMMYs, the Recording Academy has announced the 2024 Special Merit Awards honorees.
Laurie Anderson, the Clark Sisters, Gladys Knight, N.W.A, Donna Summer, and Tammy Wynette are the 2024 Recording Academy Lifetime Achievement Award honorees; Peter Asher, DJ Kool Herc and Joel Katz are the Trustees Award recipients; Tom Kobayashi and Tom Scott are the Technical GRAMMY Award honorees; and “Refugee,” written by K’naan, Steve McEwan, and Gerald Eaton (a.k.a. Jarvis Church), is being honored with the Best Song For Social Change Award.
The Recording Academy’s Special Merit Awards Ceremony celebrating the 2023 Special Merit Award recipients will return to the Wilshire Ebell Theatre in Los Angeles on Saturday, Feb. 3.
“The Academy is honored to pay tribute to this year’s Special Merit Award recipients — a remarkable group of creators and industry professionals whose impact resonates with generations worldwide,” said Harvey Mason jr., CEO of the Recording Academy. “Their contributions to music span genres, backgrounds and crafts, reflecting the rich diversity that fuels our creative community. We look forward to honoring these music industry trailblazers next month as part of our week-long celebration leading up to Music’s Biggest Night.”
Lifetime Achievement Award Honorees
This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording (through 1972, recipients included non-performers).
Laurie Anderson is a writer, director, composer, visual artist, musician, and vocalist who has created groundbreaking works that span the worlds of art, theater, experimental music, and technology. As a performer and musician, she has collaborated with many people including Brian Eno, Jean-Michel Jarre, William S. Burroughs, Peter Gabriel, Robert Wilson, Christian McBride, and Philip Glass. In 2002, Anderson was appointed the first artist-in-residence of NASA which culminated in her 2004 touring solo performance, The End of the Moon. She has been nominated for six GRAMMY Awards throughout her recording career and received a GRAMMY for the release Landfall in collaboration with the Kronos Quartet at the 61st GRAMMYs.
The Clark Sisters, an American gospel vocal group initially consisting of five sisters: Jacky, Denise, Elbernita, Dorinda, and Karen – have been taking the world by storm since the early 1980s. Credited for helping to bring gospel music to the mainstream, the Clark Sisters are considered pioneers of contemporary gospel. Their biggest crossover hits include: “Is My Living in Vain?,” “Hallelujah,” “He Gave Me Nothing to Lose,” “Endow Me,” their hit song “Jesus Is A Love Song,” “Pure Gold,” “Miracle,” and their largest, mainstream crossover gold-certified, “You Brought The Sunshine.” The Clark Sisters (Jacky, Elbernita, Dorinda, and Karen) have won three GRAMMYs (two awarded to the group, and one to Karen as a songwriter for “Blessed and Highly Favored”), and with 16 albums to their credit and millions in sales, they are the highest-selling female gospel group in history.
Gladys Knight is a seven-time GRAMMY Award winner who has enjoyed No. 1 hits in pop, gospel, R&B, and adult contemporary, and has triumphed in film, television and live performance. Knight has recorded more than 38 albums over the years including four solo albums. She appeared on ABC’s 14th season of “Dancing With The Stars” in 2012, and in 2019, she competed on the inaugural season of “The Masked Singer.” Knight has sung the National Anthem at several major sporting events, including at Super Bowl LIII in Atlanta in 2019, and at the 2021 NBA All-Star Game. She was a National Endowment for the Arts 2021 National Medal of Arts Recipient and received a Kennedy Center Honor for Lifetime Artistic Achievements in 2022.
N.W.A was a rap group from the Compton district in Los Angeles who are credited by many with inventing gangsta rap. The group, consisting of Eazy-E^, Dr. Dre, Ice Cube, DJ Yella, and MC-Ren, developed a new sound, which brought in many of the loud, extreme sonic innovations of Public Enemy while adopting a self-consciously violent and dangerous lyrical stance. In 1988, N.W.A released their album, Straight Outta Compton, a brutally intense record that became an underground hit without any support from radio or MTV. This negative attention worked in their favor as it brought the album to multiplatinum status. Although the group was short-lived, gangsta rap established itself as the most popular form of hip-hop during the mid-1990s.
Donna Summer^ rocketed to international superstardom with her groundbreaking merger of R&B, soul, pop, funk, rock, disco, and avant-garde electronica, catapulting underground dance music out of the clubs of Europe and bringing it to the world. Summer holds the record with three consecutive double albums to hit No. 1 on the Billboard charts (the only solo artist to ever accomplish this), and first female artist to have four No. 1 singles in a 12-month period on Billboard’s Hot 100 chart. A five-time GRAMMY winner and 18-time GRAMMY nominee, Summer was the first artist to win the GRAMMY for Best Rock Vocal Performance, Female (1979, “Hot Stuff”) as well as the first-ever recipient of the new GRAMMY Category for Best Dance Recording (1997, “Carry On”). Summer was the first female artist to win GRAMMY Awards in four different genres: dance, gospel, rock, and R&B.
Tammy Wynette^ first hit the musical scene in 1966 with “Apartment #9” after moving to Nashville and teaming up with record producer Billy Sherrill. Together, the duo wrote songs that reflected the yearnings and the things Wynette felt were important in her life. In 1968, Wynette released “Stand By Your Man,” which sold more than five million singles and became the largest-selling single ever recorded by a female artist. By 1970, she racked up five No. 1 country hits, was named the Country Music Association’s Female Vocalist of the Year three times, and won two GRAMMYs. Wynette was the first female country music singer to sell over one million albums and has sold more than 30 million records grossing more than $100 million, earning her the title “The First Lady of Country Music.”
Read More: GRAMMY Lifetime Achievement Awards | The Complete List
Trustees Award Honorees
This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to individuals who, during their careers in music, have made significant contributions, other than performance, to the field of recording (through 1983, recipients included performers).
Peter Asher’s career began in 1964 as one-half of Peter & Gordon, whose “A World Without Love” topped the charts worldwide. Nine more Top 20 hits followed before Asher became head of A&R for the Beatles’ Apple Records in 1968, and discovered, produced and managed James Taylor; later adding Linda Ronstadt, Neil Diamond, 10,000 Maniacs, Cher, Diana Ross, Kenny Loggins, Bonnie Raitt, Robin Williams, Stevie Nicks, Lyle Lovett, Morrissey, Steve Martin & Edie Brickell, Ed Sheeran, and more to his roster. Asher won the GRAMMY for Producer Of The Year in both 1977 and 1989. He hosts a hit radio show “From Me To You” on Sirius XM and is much in demand not only in the studio but as a performer, speaker and author.
The legendary Rock & Roll Hall of Fame inductee DJ Kool Herc is consistently credited as the founder of hip-hop. His mastery at the turntables is known worldwide, as are his positive contributions to the evolution of hip-hop culture. Herc’s popularity rose by playing long sets of assorted rhythm breaks strung together. Unlike any of his DJ counterparts, Herc is not a rapid rapper who keeps your head spinning with a patter, but he is a musical innovator to the turntables. He first introduced using two turntables to make the beats last longer, creating the illusion of one long break for the B-Boys to show off their skills. Herc has received a great deal of recognition during his lifetime, including his induction into the 2023 Rock & Roll Hall of Fame, and recognition from the New York Landmarks Conservancy as a 2023 Living Landmark.
Joel Katz has played a profound role in shaping the entertainment industry through his work in facilitating entertainment-related corporate acquisitions and mergers and consulting multi-national and multi-media entertainment companies. Katz was ranked Billboard magazine’s No. 1 entertainment attorney in its “Power 100” list of most powerful executives in the music business and has been called “the dealmaker who thinks outside the box.” At Kennesaw State University, Katz endowed and began a commercial music program – one of the largest music education programs in America with over 500 students. He has authored and co-authored many articles and commentary on topics concerning entertainment law. In honor of his work, the University of Tennessee College of Law dedicated its library in his name, the Joel A. Katz Law Library.
Read More: GRAMMY Trustees Awards | The Complete List
Technical GRAMMY Award Honorees
This Special Merit Award is presented by vote of the Producers & Engineers Wing Advisory Council and Chapter Committees and ratification by the Recording Academy's National Trustees to individuals and/or companies/organizations/institutions who have made contributions of outstanding technical significance to the recording field.
Tom Kobayashi^ and Tom Scott met at Lucasfilm’s Skywalker Sound in 1985, when the duo joined the company and completed the building of the Skywalker post-production facilities in both Northern and Southern California. Together, Kobayashi and Scott launched the Entertainment Digital Network, also known as “EDnet,” which employed fiber-optic networks to send high-quality video and audio great distances. Its then-revolutionary technology enabled the industry to link together talent, executives and production facilities at great cost savings. For 25 years, that company connected hundreds of recording studios worldwide in the days before the Internet could handle high-quality audio. EDnet became a part of Onstream Media, and over the decades, tens of thousands of long-distance collaboration sessions were facilitated for the music, advertising, TV, and cinema businesses.
Best Song For Social Change Award Honorees
This Special Merit Award honors songwriter(s) of message-driven music that speaks to the social issues of our time and has demonstrated and inspired positive global impact. The finalists and recipient(s) are selected annually by a Blue-Ribbon Committee composed of a community of peers dedicated to artistic expression, the craft of songwriting and the power of songs to effect social change. See past recipients here.
In June 2023, singer-songwriter K’naan released the inspiring single and accompanying video “Refugee,” co-written by GRAMMY Award-winning songwriter Steve McEwan and GRAMMY-nominated producer Gerald Eaton (also known by his stage name, Jarvis Church). “Refugee” stands out as a distinctive musical endeavor, skillfully interweaving personal and political narratives, and serving as a tribute to refugees around the world. With the single, K’naan drew inspiration from his personal experiences, aiming to redefine the traditional perception of the term “refugee” into a symbol of resilience and strength. The song was written with the hopes of encouraging individuals to embrace the word “refugee” proudly and to give those made homeless by conflict a song that felt like home.
Read More: GRAMMY Technical Awards | The Complete List
^Denotes posthumous honoree.
![Kendrick Lamar GRAMMY Rewind Hero](https://i8.amplience.net/i/naras/HH50_GR_Kendrick_Hero_1920x1080.jpg)
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GRAMMY Rewind: Kendrick Lamar Honors Hip-Hop's Greats While Accepting Best Rap Album GRAMMY For 'To Pimp a Butterfly' In 2016
Upon winning the GRAMMY for Best Rap Album for 'To Pimp a Butterfly,' Kendrick Lamar thanked those that helped him get to the stage, and the artists that blazed the trail for him.
Updated Friday Oct. 13, 2023 to include info about Kendrick Lamar's most recent GRAMMY wins, as of the 2023 GRAMMYs.
A GRAMMY veteran these days, Kendrick Lamar has won 17 GRAMMYs and has received 47 GRAMMY nominations overall. A sizable chunk of his trophies came from the 58th annual GRAMMY Awards in 2016, when he walked away with five — including his first-ever win in the Best Rap Album category.
This installment of GRAMMY Rewind turns back the clock to 2016, revisiting Lamar's acceptance speech upon winning Best Rap Album for To Pimp A Butterfly. Though Lamar was alone on stage, he made it clear that he wouldn't be at the top of his game without the help of a broad support system.
"First off, all glory to God, that's for sure," he said, kicking off a speech that went on to thank his parents, who he described as his "those who gave me the responsibility of knowing, of accepting the good with the bad."
Looking for more GRAMMYs news? The 2024 GRAMMY nominations are here!
He also extended his love and gratitude to his fiancée, Whitney Alford, and shouted out his Top Dawg Entertainment labelmates. Lamar specifically praised Top Dawg's CEO, Anthony Tiffith, for finding and developing raw talent that might not otherwise get the chance to pursue their musical dreams.
"We'd never forget that: Taking these kids out of the projects, out of Compton, and putting them right here on this stage, to be the best that they can be," Lamar — a Compton native himself — continued, leading into an impassioned conclusion spotlighting some of the cornerstone rap albums that came before To Pimp a Butterfly.
"Hip-hop. Ice Cube. This is for hip-hop," he said. "This is for Snoop Dogg, Doggystyle. This is for Illmatic, this is for Nas. We will live forever. Believe that."
To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."
Lamar has since won Best Rap Album two more times, taking home the golden gramophone in 2018 for his blockbuster LP DAMN., and in 2023 for his bold fifth album, Mr. Morale & the Big Steppers.
Watch Lamar's full acceptance speech above, and check back at GRAMMY.com every Friday for more GRAMMY Rewind episodes.
10 Essential Facts To Know About GRAMMY-Winning Rapper J. Cole
![Franc Moody](https://i8.amplience.net/i/naras/Franc Moody.jpg)
Photo: Rachel Kupfer
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A Guide To Modern Funk For The Dance Floor: L'Imperatrice, Shiro Schwarz, Franc Moody, Say She She & Moniquea
James Brown changed the sound of popular music when he found the power of the one and unleashed the funk with "Papa's Got a Brand New Bag." Today, funk lives on in many forms, including these exciting bands from across the world.
It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it; its fat chords beg your body to get up and groove.
Brown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing.
Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo; and Kendrick Lamar, Flying Lotus, and Thundercat, respectively.
In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine — often with robotic vocals distorted through a talk box. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well.
Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. Funk and disco-centered '70s revival is definitely having a moment, with acts like Ghost Funk Orchestra and Parcels, while its sparkly sprinklings can be heard in pop from Dua Lipa, Doja Cat, and, in full "Soul Train" character, Silk Sonic. There are also acts making dreamy, atmospheric music with a solid dose of funk, such as Khruangbin’s global sonic collage.
There are many bands that play heavily with funk, creating lush grooves designed to get you moving. Read on for a taste of five current modern funk and nu-disco artists making band-led uptempo funk built for the dance floor. Be sure to press play on the Spotify playlist above, and check out GRAMMY.com's playlist on Apple Music, Amazon Music and Pandora.
Say She She
Aptly self-described as "discodelic soul," Brooklyn-based seven-piece Say She She make dreamy, operatic funk, led by singer-songwriters Nya Gazelle Brown, Piya Malik and Sabrina Mileo Cunningham. Their '70s girl group-inspired vocal harmonies echo, sooth and enchant as they cover poignant topics with feminist flair.
While they’ve been active in the New York scene for a few years, they’ve gained wider acclaim for the irresistible music they began releasing this year, including their debut album, Prism. Their 2022 debut single "Forget Me Not" is an ode to ground-breaking New York art collective Guerilla Girls, and "Norma" is their protest anthem in response to the news that Roe vs. Wade could be (and was) overturned. The band name is a nod to funk legend Nile Rodgers, from the "Le freak, c'est chi" exclamation in Chic's legendary tune "Le Freak."
Moniquea
Moniquea's unique voice oozes confidence, yet invites you in to dance with her to the super funky boogie rhythms. The Pasadena, California artist was raised on funk music; her mom was in a cover band that would play classics like Aretha Franklin’s "Get It Right" and Gladys Knight’s "Love Overboard." Moniquea released her first boogie funk track at 20 and, in 2011, met local producer XL Middelton — a bonafide purveyor of funk. She's been a star artist on his MoFunk Records ever since, and they've collabed on countless tracks, channeling West Coast energy with a heavy dose of G-funk, sunny lyrics and upbeat, roller disco-ready rhythms.
Her latest release is an upbeat nod to classic West Coast funk, produced by Middleton, and follows her February 2022 groovy, collab-filled album, On Repeat.
Shiro Schwarz
Shiro Schwarz is a Mexico City-based duo, consisting of Pammela Rojas and Rafael Marfil, who helped establish a modern funk scene in the richly creative Mexican metropolis. On "Electrify" — originally released in 2016 on Fat Beats Records and reissued in 2021 by MoFunk — Shiro Schwarz's vocals playfully contrast each other, floating over an insistent, upbeat bassline and an '80s throwback electro-funk rhythm with synth flourishes.
Their music manages to be both nostalgic and futuristic — and impossible to sit still to. 2021 single "Be Kind" is sweet, mellow and groovy, perfect chic lounge funk. Shiro Schwarz’s latest track, the joyfully nostalgic "Hey DJ," is a collab with funkstress Saucy Lady and U-Key.
L'Impératrice
L'Impératrice (the empress in French) are a six-piece Parisian group serving an infectiously joyful blend of French pop, nu-disco, funk and psychedelia. Flore Benguigui's vocals are light and dreamy, yet commanding of your attention, while lyrics have a feminist touch.
During their energetic live sets, L'Impératrice members Charles de Boisseguin and Hagni Gwon (keys), David Gaugué (bass), Achille Trocellier (guitar), and Tom Daveau (drums) deliver extended instrumental jam sessions to expand and connect their music. Gaugué emphasizes the thick funky bass, and Benguigui jumps around the stage while sounding like an angel. L’Impératrice’s latest album, 2021’s Tako Tsubo, is a sunny, playful French disco journey.
Franc Moody
Franc Moody's bio fittingly describes their music as "a soul funk and cosmic disco sound." The London outfit was birthed by friends Ned Franc and Jon Moody in the early 2010s, when they were living together and throwing parties in North London's warehouse scene. In 2017, the group grew to six members, including singer and multi-instrumentalist Amber-Simone.
Their music feels at home with other electro-pop bands like fellow Londoners Jungle and Aussie act Parcels. While much of it is upbeat and euphoric, Franc Moody also dips into the more chilled, dreamy realm, such as the vibey, sultry title track from their recently released Into the Ether.