At its 25th annual GRAMMY Week event, the Recording Academy’s Entertainment Law Initiative (ELI) will honor Peter T. Paterno with the 2023 Entertainment Law Initiative Service Award. The award is presented each year to an attorney who has demonstrated a commitment to advancing and supporting the music community through service.

"We're thrilled to return to the Beverly Wilshire Hotel for the 25th anniversary ELI GRAMMY Week Event to salute the impact of entertainment law on the music industry," Recording Academy CEO Harvey Mason jr. said. "The creative community is grateful for Peter's advocacy on behalf of music makers, and I look forward to celebrating ELI's mission to inspire dialogue between industry professionals and to cultivate an inclusive future generation of entertainment law practitioners."

Paterno is a partner at King, Holmes, Paterno & Soriano, LLP and, over the course of his career, has nurtured the careers of dozens of multiplatinum recording artists, structuring, negotiating and documenting myriad of agreements. Paterno's clients include Dr. Dre, the Tupac Shakur estate, Metallica, Van Morrison, Blink-182, Twenty One Pilots, Skrillex, Tyler, the Creator, Q-Tip, Goo Goo Dolls, Rage Against The Machine, Rancid, Alice In Chains, Offspring, Linda Ronstadt, Jared Leto/Thirty Seconds to Mars, Roddy Ricch, Richard Sherman, Sia, the Henry Mancini Estate, Shirley Manson, Alanis Morissette, and Tori Amos, among others. 

Paterno has also been intimately involved in the formation, purchase and sale of numerous entertainment companies ranging from production, publishing, recording, and film companies to merchandise and consumer electronic enterprises, including a well-known company engaged in the distribution of headphones, along with a streaming music business. He has extensive experience in all aspects of copyright and trademark law, tax planning relating to the entertainment industry, litigation management, and live theater production. 

In 1990, Paterno started and became the first president of Hollywood Records, the Walt Disney Company’s popular music record label, reporting directly to Chief Executive Officer Michael Eisner. He now serves as a partner at King, Holmes, Paterno & Soriano, LLP, in Los Angeles. He has been honored on Billboard's Top Music Lawyers List, and as a Super Lawyer for Super Lawyers Magazine. Paterno graduated from Harvey Mudd College (B.S. in mathematics, with distinction 1972); University of Hawaii (M.A. in mathematics 1973); and University of California at Los Angeles (J.D. 1976). 

*Peter T. Paterno | Photo: Ron Lyon*

"Peter's longtime commitment to the music business and his ability to confidently navigate the intricacies of our industry make him an outstanding recipient of the ELI Service Award for this year's 25th anniversary event," Neil Crilly, Managing Director of Industry Leader Engagement & Chapter Operations at the Recording Academy, said. "I applaud ELI's Executive Committee for recognizing a leader whose expertise has helped countless artists succeed in their careers and who has supported the music industry through eras of change."

The Service Award winner is determined by ELI's Executive Committee, which works to uplift ELI by recognizing leaders in the entertainment law community and mentoring young professionals in the industry. The 2022-23 Executive Committee represents a diverse group of industry powerhouses working across the breadth of the entertainment law landscape. It is chaired by Laurie Soriano, and its members include Kris Ahrend, Sandy Crawshaw-Sparks, Susan Genco, Renee Karalian, Michael Kushner, Dina LaPolt, Wade Leak, Angie Martinez, Tanya Perara, Julian Petty, Leron Rogers, Henry Root, Bobby Rosenbloum, Julie Swidler, Jeff Walker, Robert Windom, and Stephanie Yu. 

The ELI GRAMMY week event will also celebrate the winner and two runners-up of the 2023 Entertainment Law Initiative writing contest. Co-sponsored by the American Bar Association, the writing contest challenges students in Juris Doctorate and Master of Laws programs at U.S. law schools to research a pressing legal issue facing the modern music industry and outline a proposed solution in a 3,000-word essay. The author of the winning paper will receive a $10,000 scholarship, and the winning paper will be published in the ABA's journal Entertainment & Sports Lawyer; two runners-up from the writing contest will receive a $2,500 scholarship.

The winner will also receive travel and tickets to Los Angeles to attend the 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, MusiCares Person of the Year, and the ELI GRAMMY week event. The contest is open to JD and LLM candidates at U.S. law schools; the submission deadline to enter the 2023 Entertainment Law Initiative Writing Contest is Tuesday, Jan. 3, 2023, at 10 a.m. PT / 1 p.m. ET.

Individual tickets and a limited number of discounted student tickets to the ELI GRAMMY Week Event are on sale now.

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The 2023 GRAMMYs, officially known as the 65th GRAMMY Awards, returns to Los Angeles' Crypto.com Arena on Sunday, Feb. 5, 2023, and will broadcast live on the CBS Television Network and stream live and on-demand on Paramount+ at 8-11:30 p.m. ET/5-8:30 p.m. PT.

The eligibility period for the 65th GRAMMY Awards is Friday, Oct. 1, 2021 – Friday, Sept. 30, 2022. All eligible awards entries must be released within this timeframe.

The Recording Academy and GRAMMY.com do not endorse any particular artist, submission or nominee over another. The results of the GRAMMY Awards, including winners and nominees, are solely dependent on the Recording Academy’s Voting Membership.

"Honestly, I feel like a zaddy," Omar Apollo says with a roguish grin, "because I'm 6'5" so, like, you can run up in my arms and stay there, you know what I mean?"

As a bonafide R&B sensation and one of the internet’s favorite boyfriends, Apollo is likely used to the labels, attention and online swooning that come with modern fame. But in this instance, there’s a valid reason for asking about his particular brand of "zaddyhood": he’s been turned into a Bratz doll.

In the middle of June, the popular toy company blasted  a video to its nearly 5 million social media followers showing off the singer as a real-life Bratz Boy — the plastic version draped in a long fur coat (shirtless, naturally), with a blinged-out cross necklace and matching silver earrings as he belts out his 2023 single "3 Boys" from a smoke-covered stage.

The video, which was captioned "Zaddy coded," promptly went viral, helped along by an amused Apollo reposting the clip to his own Instagram Story. "It was so funny," he adds. "And it's so accurate; that's literally how my shows go. It made me look so glamorous, I loved it."

The unexpected viral moment came with rather auspicious timing, considering Apollo is prepping for the release of his hotly anticipated sophomore album. God Said No arrives June 28 via Warner Records.

In fact, the star is so busy with the roll-out that, on the afternoon of our interview, he’s FaceTiming from the back of a car. The day prior, he’d filmed the music video for "Done With You," the album’s next single. Now he’s headed to the airport to jet off to Paris, where he’ll be photographed front row at the LOEWE SS25 men’s runway show in between Sabrina Carpenter and Mustafa — the latter of whom is one of the few collaborators featured on God Said No. 

Apollo’s trusted co-writer and producer, Teo Halm, is also joining the conversation from his home studio in L.A. In between amassing credits for Beyoncé (The Lion King: The Gift), Rosalía and J Balvin (the Latin GRAMMY-winning "Con Altura"), SZA ("Notice Me" and "Open Arms" featuring Travis Scott) and others, the 25-year-old virtuoso behind the boards had teamed up with Apollo on multiple occasions. Notably, the two collabed on "Evergreen (You Didn’t Deserve Me At All)," which helped Apollo score his nomination for Best New Artist at the 2023 GRAMMYs. 

In the wake of that triumph, Apollo doubled down on their creative chemistry by asking Halm to executive produce God Said No. (The producer is also quick to second his pal’s magnetic mystique: "Don't get it twisted, he's zaddy, for sure.") 

Apollo bares his soul like never before across the album’s 14 tracks,  as he processes the bitter end of a two-year relationship with an unnamed paramour. The resulting portrait of heartbreak is a new level of emotional exposure for a singer already known for his unguarded vulnerability and naked candor. (He commissioned artist Doron Langberg to paint a revealing portrait of him for the cover of his 2023 EP Live For Me, and unapologetically included a painting of his erect penis as the back cover of the vinyl release.) 

On lead single "Spite," he’s pulled between longing and resentment in the wake of the break-up over a bouncing guitar riff. Second single "Dispose of Me" finds Apollo heartsick and feeling abandoned as he laments, "It don’t matter if it’s 25 years, 25 months/ It don’t matter if it’s 25 days, it was real love/ We got too much history/ So don’t just dispose of me." 

Elsewhere, the singer offers the stunning admission that "I would’ve married you" on album cut "Life’s Unfair." Then, on the very next song — the bumping, braggadocious "Against Me" — Apollo grapples with the reality that he’s been permanently altered by the love affair while on the prowl for a rebound. "I cannot act like I’m average/ You know that I am the baddest bitch," he proclaims on the opening verse, only to later admit, "I’ve changed so much, but have you heard?/ I can’t move how I used to."

Given the personal subject matter filling God Said No — not to mention the amount of acclaim he earned with Ivory — it would be understandable if Apollo felt a degree of pressure or anxiety when it came to crafting his sophomore studio set. But according to the singer, that was entirely not the case.

"I feel like I wouldn’t be able to make art if I felt pressure," he says. "Why would I be nervous about going back and making more music? If anything, I'm more excited and my mind is opened up in a whole other way and I've learned so much."

In order to throw his entire focus into the album’s creation, Apollo invited Halm to join him in London. The duo set up shop in the famous Abbey Road Studios, where the singer often spent 12- to 13-hour days attempting to exorcize his heartbreak fueled by a steady stream of Aperol spritzes and cigarettes.

The change of scenery infused the music with new sonic possibilities, like the kinetic synths and pulsating bass line that set flight to "Less of You." Apollo and Halm agree that the single was directly inspired by London’s unique energy.

"It's so funny because we were out there in London, but we weren't poppin' out at all," the Halm says. "Our London scene was really just, like, studio, food. Omar was a frickin' beast. He was hitting the gym every day…. But it was more like feeding off the culture on a day-to-day basis. Like, literally just on the walk to the studio or something as simple as getting a little coffee. I don't think that song would've happened in L.A."

Poetry played a surprisingly vital role in the album’s creation as well, with Apollo littering the studio with collections by "all of the greats," including the likes of Ocean Vuong, Victoria Chang, Philip Larkin, Alan Ginsberg, Mary Oliver and more.

"Could you imagine making films, but never watching a film?" the singer posits, turning his appreciation for the written art form into a metaphor about cinema. "Imagine if I never saw [films by] the greats, the beauty of words and language, and how it's manipulated and how it flows. So I was so inspired." 

Perhaps a natural result of consuming so much poetic prose, Apollo was also led to experiment with his own writing style. While on a day trip with his parents to the Palace of Versailles, he wrote a poem that ultimately became the soaring album highlight "Plane Trees," which sends the singer’s voice to new, shiver-inducing heights. 

"I'd been telling Teo that I wanted to challenge myself vocally and do a power ballad," he says. "But it wasn't coming and we had attempted those songs before. And I was exhausted with writing about love; I was so sick of it. I was like, Argh, I don't want to write anymore songs with this person in my mind." 

Instead, the GRAMMY nominee sat on the palace grounds with his parents, listening to his mom tell stories about her childhood spent in Mexico. He challenged himself to write about the majestic plane tree they were sitting under in order to capture the special moment. 

Back at the studio, Apollo’s dad asked Halm to simply "make a beat" and, soon enough, the singer was setting his poem to music. (Later, Mustafa’s hushed coda perfected the song’s denouement as the final piece of the puzzle.) And if Apollo’s dad is at least partially responsible for how "Plane Trees" turned out, his mom can take some credit for a different song on the album — that’s her voice, recorded beneath the same plane tree, on the outro of delicate closer "Glow." 

Both the artist and the producer ward off any lingering expectations that a happy ending will arrive by the time "Glow" fades to black, however. "The music that we make walks a tightrope of balancing beauty and tragedy," Halm says. "It's always got this optimism in it, but it's never just, like, one-stop shop happy. It's always got this inevitable pain that just life has. 

"You know, even if maybe there wasn't peace in the end for Omar, or if that wasn't his full journey with getting through that pain, I think a lot of people are dealing with broken hearts who it really is going to help," the producer continues. "I can only just hope that the music imparts leaving people with hope."

 Apollo agrees that God Said No contains a "hopeful thread," even if his perspective on the project remains achingly visceral. Did making the album help heal his broken heart? "No," he says with a sad smile on his face. "But it is proof of pain. And it’s a beautiful thing that is immortalized now, forever. 

"One day, I can look back at it and be like, Wow, what a beautiful thing I experienced. But yeah, no, it didn't help me," he says with a laugh. 

Artists on the rise got their metaphorical flowers on Feb. 1, when GRAMMY House played host to the Beats & Blooms Emerging Artist Showcase. The performance-heavy event was produced in conjunction with PEOPLE and Sephora and hosted by comedian Matt Friend.

Some took the floral theme quite literally — like Texas rapper and singer Teezo Touchdown, who took to the stage clasping a giant flower bouquet, his microphone tucked somewhere inside. With his crisp white leather jacket and white gloves, Teezo looked fresh as he performed tracks from his recently released debut album, How Do You Sleep at Night? It wasn't hard to see how late legends like Prince and Rick James have influenced his artistry, and the audience appreciated his fly sartorial style.

Another dynamic performance came from Cocoa Sarai, a Jamaican-American singer/songwriter who has worked with artists such as Dr. Dre and Anderson .Paak (the latter of whom helped Sarai earn a GRAMMY in 2020 for her work on his Best R&B Album-winning project, Ventura). The Brooklyn-born artist — who is part of the new Music Artist Accelerator initiative presented by MasterCard, GRAMMY House’s primary sponsor — delivered an impactful set that included her bird-flipping anthem "Bigger Person" and was assisted by a great beatboxer named Fahz.

As many attendees got glammed up at Sephora's makeup station, the event co-sponsor also presented one of the night's performers. Sephora Sounds highlighted twin sisters Inah and Yahzi of the viral group Ain't Afraid, whose energetic performance hit home. During their charismatic set, which featured the sisters both singing and rapping, the pair told the crowd that their lighthearted stage presence is a way to turn some of their trauma into positive art.

Inah and Yahzi weren't the only sibling duo to take the stage at Beats & Blooms. Brandon and Savannah Hudson — aka BETWEEN FRIENDS — first got national attention as quarter-finalists on "America's Got Talent" in 2013, and have since racked up millions of monthly plays on Spotify for what they like to call "laptop dream pop". BETWEEN FRIENDS performed songs from their 2023 album, I Love My Girl, She's My Boy.

Tiana Major9 closed out the event with an exciting performance that featured a song debut and a sing-along. After premiering a new track called "Braids," the Motown artist got everyone to join together for an exquisite cover of Faith Evans' smoldering "Soon As I Get Home". 

GRAMMY House's three days of events are a place for a diverse array of music industry professionals, musicians and social creators to immerse in the pulse of culture, take the torch and carry it forward — and Beats & Blooms was a powerful example of just that.

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It was at a rollicking Guns N Roses concert in Philadelphia in the late 1980s when Michelle Jubelirer, the Chair and Chief Executive Officer of Capitol Music Group, first knew she wanted to forge her life in music. 

"They were my first real concert and I can still remember and feel that excitement and energy emanating from the stage and absolutely ripping through the crowd," Jubelirer, the keynote speaker at Friday's Entertainment Law Initiative, said. "20,000 people and five performers, all together as one. That visceral feeling is difficult to convey into words, but the rush never left me and I’m always looking for even a glimmer of that feeling."

Jubelirer was speaking to a like-minded group of superstars of their craft, who had gathered in a lush ballroom at the Beverly Wilshire Hotel days before the 2024 GRAMMYs. Affectionately referred to by one attendee as "lawyer prom," the Entertainment Law Initiative was a chance for the bold-faced names of the industry from a disparate array of labels and companies, to toast each other and their essential craft, an all-important and sometimes unsung cog in the music industry machine. 

At the event, Jubelierer, who has helped guide the careers of artists ranging from Best New Artist GRAMMY nominees Ice Spice and Troye Sivan to Sam Smith, reflected on her long path to chasing that "Guns N Roses feeling." And while her current position has her at the helm of Capitol Records, she built her career on a foundation of law. 

Raised by a single mother in rural Pennsylvania, she followed in the footsteps of her late father and entered law school. "I had zero connections in music or entertainment," she explained.  "I cold-called (the entertainment law giant) Alan Grubman to ask for advice, he said to get a job at the best law firm I could."

Eventually, Jubelirer spoke of becoming an attorney for SONY Music and later, the first woman to run Capitol Records in its nearly century-long history. "I only wish such a gender-based fact was not worth mentioning, our business would be in a much better place," she said to applause. "I want to lift the next generation of female artists, executives and attorneys." 

2024 ELI Writing Contest winner Olivia Fortunato (center) receives her scholarship award from ELI Executive Committee member Stephanie Yu and 2023 winner Aron Lichtschein┃Alberto Rodriguez

Being a fierce advocate for the people one believes in was a recurring theme.

Recording Academy CEO Harvey Mason Jr. who opened up the proceedings by noting, "Just before I got here, I was testifying to the House Judiciary committee to pass legislation to protect artists' name, likeness and voice," he said. "We ask everyone to engage with your clients and push them to understand why this issue affects them, and to use their voices to make change happen."

Julie Greenwald, Chairperson and Chief Executive Officer of Atlantic Music Group, also feted Michale Kushner, the EVP of Business and Legal Affairs and General Council, this year’s recipient of the Entertainment Law Initiative Service Award. 

"It has not only been a pleasure but an honor, you have been our moral compass," Greenwald said before a video rolled of some of the music industry’s most important names, from Atlantic Co-Chairperson Craig Kallman to executive Jason Flom, musing about the impact Kushner made on all of their lives and careers. "There is not a fairer human being and no bigger advocate for artists than Michael Kushner."

"The record company lawyers who entered the music business in the 80s and survived into the today are truly fortunate," said Kushner in his acceptance speech. "We were witness to the joys of CD boom, file sharing and then industry’s return to growth with the arrival of streaming. We had to think about new ways to approach the business, but it didn't change the fundamental reason why we want to be in the business: we still believe in the magic and power of music."

It’s that power of music that Jubelirer was referring to. "But for the artists in the music business, it’s not a coincidence that the ones who are adept at the business side of things [are the ones who have the most success]," she noted. "And giving them Don Passman’s book is not enough," Jubelirer stated, alluding to the author’s legendary tome All You Need to Know About the Music Business.

"Career-wise, we are nothing without artists and anyone who thinks otherwise is either delusional, egomaniacal or both," said Jubelirer. "I hope it's clear, every moment of every day is all about artists and fulfilling my promises to them."

Jubelirer also shared with attendees a promise she made with herself upon joining Capitol: "The day I stop changing the record company more than it was changing me, would be the day I’d walk away," she said, adding that she regularly evaluates her purpose.   

"I am keenly aware that the role I play in an artist's career can have impactful and long lasting  effects. I feel immense responsibility and gratitude to the talented human beings who have trusted me to such a degree," she continued.

But for Jubelirer, it naturally always goes back to that aforementioned Guns N Roses feeling. "No matter where I find myself in this business, I will always approach my relationships with artists as an advocate, protector and fan."

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Six years after her last solo studio album, Beyoncé returned to the music industry with a bang thanks to RENAISSANCE. In homage to her late Uncle Johnny, she created a work of art inspired by the sounds of disco and house that wasn't just culturally impactful — it was history-making.

At the 2023 GRAMMYs, RENAISSANCE won Best Dance/Electronic Album. Marking Beyoncé's 32nd golden gramophone, the win gave the superstar the record for most gramophones won by an individual act.

In this episode of GRAMMY Rewind, revisit the historic moment Queen Bey took the stage to accept her record-breaking GRAMMY at the 65th Annual GRAMMY Awards.

"Thank you so much. I'm trying not to be too emotional," Beyoncé said at the start of her acceptance speech. "I'm just trying to receive this night."

With a deep breath, she began to list her praises that included God, her family, and the Recording Academy for their continued support throughout her career. 

"I'd like to thank my Uncle Johnny, who is not here, but he's here in spirit," Beyoncé proclaimed. "I'd like to thank the queer community for your love and inventing this genre."

Watch the video above for Beyoncé's full speech for Best Dance/Electronic Album at the 2023 GRAMMYs. Check back to GRAMMY.com for more new episodes of GRAMMY Rewind. 

Tune into the 2024 GRAMMYs on Sunday, Feb. 4, airing live on the CBS Television Network (8-11:30 p.m. LIVE ET/5-8:30 p.m. LIVE PT) and streaming on Paramount+ (live and on-demand for Paramount+ with SHOWTIME subscribers, or on-demand for Paramount+ Essential subscribers the day after the special airs).

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