Each year, on March 8 we take a moment to celebrate International Women's Day in honor of all the women who make our lives richer, who have made an indelible impact on the world around us and who persevere against all odds year-round.

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Join in the celebration with artists such as Dua Lipa, Remy Ma, Little Mix, Tina Turner, Dolly Parton, Madonna, and more. And join GRAMMY.com in our Take Note: Women In Music celebration, a series spotlighting women in music every day this month.

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Happy International Womens Day! Love each other, look after each other and support each other. Not just today but everyday. <a href="https://twitter.com/hashtag/SUPPORTYALOCALGIRLGANG?src=hash&amp;ref_src=twsrc%5Etfw">#SUPPORTYALOCALGIRLGANG</a> <a href="https://t.co/rPpDDLEtzh">pic.twitter.com/rPpDDLEtzh</a></p>&mdash; DUA LIPA (@DUALIPA) <a href="https://twitter.com/DUALIPA/status/971662825490927617?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">“I’m all the woman that I wanna be” <br>Happy <a href="https://twitter.com/hashtag/InternationalWomensDay?src=hash&amp;ref_src=twsrc%5Etfw">#InternationalWomensDay</a></p>&mdash; TinaTurner (@LoveTinaTurner) <a href="https://twitter.com/LoveTinaTurner/status/971704401365696512?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Happy <a href="https://twitter.com/hashtag/InternationalWomensDay?src=hash&amp;ref_src=twsrc%5Etfw">#InternationalWomensDay</a> to all the incredible women around the world  There are so many powerful women that are forever inspiring us and TODAY is all about you! Get this <a href="https://twitter.com/hashtag/GirlPower?src=hash&amp;ref_src=twsrc%5Etfw">#GirlPower</a> <a href="https://twitter.com/SpotifyUK?ref_src=twsrc%5Etfw">@SpotifyUK</a> playlist on to get you in the mood  xx the girls xx <a href="https://t.co/wXIaw5kmsO">https://t.co/wXIaw5kmsO</a> <a href="https://t.co/yuYxonM7Xs">pic.twitter.com/yuYxonM7Xs</a></p>&mdash; Little Mix (@LittleMix) <a href="https://twitter.com/LittleMix/status/971689231427944448?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">happy 1st <a href="https://twitter.com/hashtag/internationalwomensday?src=hash&amp;ref_src=twsrc%5Etfw">#internationalwomensday</a> to my beautiful daughter, carmella. i will teach her to be brave, independent, strong, smart, kind, inclusive, unique, loud and loving just like i was taught by the incredible women in my life. the <a href="https://twitter.com/hashtag/futureisfemale?src=hash&amp;ref_src=twsrc%5Etfw">#futureisfemale</a> </p>&mdash; christina perri (@christinaperri) <a href="https://twitter.com/christinaperri/status/971758971265671168?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Shout-out to all my beautiful brown skin women today. You inspire me to do what I do and keep pushing forward. Let your Melanin skin shine bright today and every day! <a href="https://twitter.com/hashtag/InternationalWomensDay?src=hash&amp;ref_src=twsrc%5Etfw">#InternationalWomensDay</a> <a href="https://t.co/ad60UxmTJW">pic.twitter.com/ad60UxmTJW</a></p>&mdash; Remy Ma (@RealRemyMa) <a href="https://twitter.com/RealRemyMa/status/971858359883370503?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">She&#39;s truly an eagle when she flies! Happy <a href="https://twitter.com/hashtag/InternationalWomensDay?src=hash&amp;ref_src=twsrc%5Etfw">#InternationalWomensDay</a>! <a href="https://twitter.com/hashtag/IWD2018?src=hash&amp;ref_src=twsrc%5Etfw">#IWD2018</a> <a href="https://t.co/Jku3o21l1M">pic.twitter.com/Jku3o21l1M</a></p>&mdash; Dolly Parton (@DollyParton) <a href="https://twitter.com/DollyParton/status/971773007516590088?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">THE FUTURE IS FEMALE <a href="https://twitter.com/hashtag/internationalwomensday?src=hash&amp;ref_src=twsrc%5Etfw">#internationalwomensday</a>  <a href="https://t.co/ki2QXk8MI7">pic.twitter.com/ki2QXk8MI7</a></p>&mdash; Madonna (@Madonna) <a href="https://twitter.com/Madonna/status/971866431389421568?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">This <a href="https://twitter.com/hashtag/womensday?src=hash&amp;ref_src=twsrc%5Etfw">#womensday</a> I&#39;d like to thank my mama who&#39;s my best friend; i love u. Who inspires u? <a href="https://twitter.com/hashtag/pressforprogress?src=hash&amp;ref_src=twsrc%5Etfw">#pressforprogress</a> <a href="https://twitter.com/hashtag/thankher?src=hash&amp;ref_src=twsrc%5Etfw">#thankher</a> <a href="https://twitter.com/hashtag/internationalwomensday?src=hash&amp;ref_src=twsrc%5Etfw">#internationalwomensday</a> <a href="https://twitter.com/LOrealParisUSA?ref_src=twsrc%5Etfw">@lorealparisusa</a> <a href="https://twitter.com/hashtag/lorealparis?src=hash&amp;ref_src=twsrc%5Etfw">#lorealparis</a></p>&mdash; camila (@Camila_Cabello) <a href="https://twitter.com/Camila_Cabello/status/971865392279777280?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">Men are realising that there is a species trying to live and breathe on the same planet as them - women. Give them a chance too, guys.  <a href="https://twitter.com/hashtag/InternationalWomensDay?src=hash&amp;ref_src=twsrc%5Etfw">#InternationalWomensDay</a></p>&mdash; Yoko Ono (@yokoono) <a href="https://twitter.com/yokoono/status/971848500416864257?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

<blockquote class="twitter-tweet" data-lang="en"><p lang="en" dir="ltr">support women. empower women. employ women. pay women. promote women. elect women. befriend women. listen to women. believe women. encourage women. love women. pleasure women. indulge women. respect women. <a href="https://twitter.com/hashtag/internationalwomensday?src=hash&amp;ref_src=twsrc%5Etfw">#internationalwomensday</a></p>&mdash; MUNA (@whereisMUNA) <a href="https://twitter.com/whereisMUNA/status/971838683933372416?ref_src=twsrc%5Etfw">March 8, 2018</a></blockquote><script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>

Catching Up On Music News Powered By The Recording Academy Just Got Easier. Have A Google Home Device? "Talk To GRAMMYs"

Now that we've absorbed "Houdini" and "Training Season," it's time for a third scoop of pop goodness from Dua Lipa.

On April 11, the three-time GRAMMY winner released "Illusion," the third single from her hotly anticipated new album, Radical Optimism, due out May 3. The percolating, endlessly catchy track arrived with a video where Lipa dances on a pool deck in Barcelona, with swimmers and surfers joining the party — a playful homage to the shark-infested waters of the album's cover.

Lipa first kicked off her Radical Optimism era in November with "Houdini," which she performed alongside the debut of "Training Season" in a head-spinning show opener at the 2024 GRAMMYs. The album follows her GRAMMY-winning second LP, 2020's Future Nostalgia.

"[Releasing the album] feels good. It feels, for lack of a better word, radically optimistic," Lipa told Billboard in March, when she also explained the inspiration for the shark fin cover art. "Throughout the whole record, there's this idea of chaos happening around and me trying to push through it in a way that feels authentic and honest to me."

Now, adding "Illusion" to the mix, Lipa has made it very clear the only way she knows how to cope with chaos is to dance — and Radical Optimism will continue the party that Future Nostalgia ignited. 

Check out the video for "Illusion" above, and check back to GRAMMY.com for more news about Dua Lipa and Radical Optimism!

Everything We Know About Dua Lipa's New Album Radical Optimism

"Genres are a funny little concept, aren't they? In theory, they have a simple definition that's easy to understand. But in practice, well, some may feel confined."

With those words, spoken on "SPAGHETTII" by Linda Martell — the first commercially successful Black female artist in country music and the first to play the Grand Ole Opry solo — Beyoncé provides a proxy response to her original call on Instagram 10 days before COWBOY CARTER was released: "This ain’t a Country album. This is a “Beyoncé” album." 

She delivered on that promise with intent. Through a mix of homage and innovation, Beyoncé's latest is a 27-track testament to her boundless musicality and draws  from a rich aural palette. In addition to its country leanings, COWBOY CARTER includes everything from the soulful depths of gospel to the intricate layers of opera. 

Beyoncé's stance is clear: she's not here to fit into a box. From the heartfelt tribute in "BLACKBIIRD" to the genre-blurring tracks like "YA YA," Beyoncé uses her platform to elevate the conversation around genre, culture, and history. She doesn't claim country music; she illuminates its roots and wings, celebrating the Black artists who've shaped its essence.

The collective album proves no genre was created or remains in isolation. It's a concept stoked in the words of the opening track, "AMERIICAN REQUIEM" when Beyonce reflects, "Nothing really ends / For things to stay the same they have to change again." For country, and all popular genres of music to exist they have to evolve. No sound ever stays the same.

COWBOY CARTER's narrative arc, from "AMERICAN REQUIEM" to "AMEN," is a journey through American music's heart and soul, paying tribute to its origins while charting a path forward. This album isn't just an exploration of musical heritage; it's an act of freedom and a declaration of the multifaceted influence of Black culture on American pop culture.

Here's a closer look at some of some of the musical genres touched on in act ii, the second release of an anticipated trilogy by Beyoncé, the most GRAMMY-winning artist of all-time: 

Country 

Before COWBOY CARTER was even released, Beyoncé sparked critical discussion over the role of herself and all Black artists in country music. Yet COWBOY CARTER doesn't stake a claim on country music. Rather, it spotlights the genre through collaborations with legends and modern icons, while championing the message that country music, like all popular American music and culture, has always been built on the labor and love of Black lives. 

It's a reckoning acknowledged not only by Beyoncé's personal connection to country music growing up in Texas, but the role Black artists have played in country music rooted in gospel, blues, and folk music. 

Country legends, Dolly Parton ("DOLLY P", "JOLENE," and "TYRANT"), Willie Nelson ("SMOKE HOUR" and "SMOKE HOUR II"), and Martell ("SPAGHETTII and "THE LINDA MARTELL SHOW") serve mainly as spoken-word collaborators, becoming MCs for Queen Bey. Some of the most prolific country music legends receiving her in a space where she has been made to feel unwelcome in music (most notably with the racism surrounding her 2016 CMA performance of "Daddy Lessons" with the Dixie Chicks) provides a prolific release of industry levies. Martell, a woman who trod the dark country road before Bey, finally getting her much-deserved dues appears as an almost pre-ordained and poetic act of justice. 

"BLACKBIIRD," a version of the Beatles' civil rights era song of encouragement and hope for the struggle of Black women is led softly by Beyoncé, backed by a quartet of Black female contemporary country songbirds: Tanner Adell, Brittney Spencer, Tiera Kennedy, and Reyna Roberts. 

Beyoncé holds space for others, using the power of her star to shine a light on those around her. These inclusions rebuke nay-sayers who quipped pre-release that she was stealing attention from other Black country artists. It also flies in the faces that shunned and discriminated against her, serving as an example of how to do better. The reality that Beyoncé wasn't stealing a spotlight, but building a stage for fellow artists, is a case study in how success for one begets success for others. 

Read more: 8 Country Crossover Artists You Should Know: Ray Charles, The Beastie Boys, Cyndi Lauper & More

Gospel, Blues, & Folk (American Roots)

As is Beyoncé's way, she mounts a case for country music with evidence to back up her testimony. She meanders a course through a sequence of styles that serve as the genre's foundation: gospel, blues, and folk music.

"AMERIICAN REQUIEM" and "AMEN" bookend the album with gospel-inspired lyrics and choir vocals. The opener sets up a reflective sermon buoyed by  the sounds of a reverberating church organ, while the closer, with its introspective lyrics, pleads for mercy and redemption. The main verse on "AMEN", "This house was built with blood and bone/ The statues they made were beautiful/ But they were lies of stone," is complemented by a blend of piano, and choral harmonies. 

Hymnal references are interlaced throughout the album, particularly in songs like "II HANDS II HEAVEN" and in the lyrical nuances on "JUST FOR FUN." In the later track, Beyoncé's voice soars with gratitude in a powerful delivery of the lines, "Time heals everything / I don't need anything / Hallelujah, I pray to her." 

The gospel-inspired, blues-based "16 CARRIAGES" reflects the rich history of country songs borrowing from the blues while simultaneously calling back to songs sung by field laborers in the colonial American South. "Sixteen dollars, workin' all day/ Ain't got time to waste, I got art to make" serves as the exhausted plea of an artist working tirelessly long hours in dedication to a better life. 

Rhiannon Giddens, a celebrated musician-scholar, two-time GRAMMY winner, and Pulitzer Prize recipient, infuses "TEXAS HOLD 'EM" with her profound understanding of American folk, country, and blues. She plays the viola and banjo, the latter tracing its origins to Sub-Saharan West Africa and the lutes of ancient Egypt. Through her skilled plucking and bending of the strings, Giddens bridges the rich musical heritage of Africa and the South with the soul of country, blues, and folk music.

Pop, Funk, Soul & Rock 'n' Roll 

All in, Beyoncé is a pop star who is wrestling with labels placed on her 27-year career in COWBOY CARTER. Fittingly, she brings in two other pop artists known for swimming in the brackish water between country and pop, Miley Cyrus and Post Malone. Her intentional inclusion of two artists who have blurred genres without much cross-examination begs the question, Why should Beyoncé's sound be segregated to a different realm? 

On "YA YA" Linda Martell returns as the listener's sonic sentinel, introducing the track like a lesson plan: "This particular tune stretches across a range of genres. And that’s what makes it a unique listening experience." The tune sinks into the strummed chords of Nancy Sinatra's "These Boots Are Made for Walkin'" before leaping into a fiery dance track that features reimagined lyrics from the Beach Boys, with soulful vocal flourishes and breaks that show the throughline connection between '60s era rock, funk, and pop music.

Robert Randolph lends his hands on "16 CARRIAGES" with a funk-infused grapple on his pedal-steel guitar. It's a style he honed through his early years touring and recording with his family band and later in his career as an in-demand collaborator working with names including the Allman Brothers, and Norah Jones. 

The lesson is solidified as the album transitions into an interlude on "OH LOUISIANA," featuring a sped-up sample of a classic track by Chuck Berry. This moment emphasizes the pop superstar's nod to civil rights era music history, spotlighting a controversial artist celebrated for his pioneering contributions to rock 'n' roll. (It's a part of music history Beyoncé knows well, after starring as Etta James in the 2008 film Cadillac Records, a veiled biopic of the legendary Chicago label Chess Records.)

Classical & Opera

Opera was missing from many listeners' Beyoncé Bingo card, but didn't surprise those that know her background. Beyoncé was trained for over a decade starting at an early age by her voice teacher David Lee Brewer, a retired opera singer who once lived with the Knowles family. 

COWBOY CARTER gives sing-along fans a 101 opera class with "DAUGHTER." In Italian, Beyoncé sings passages from the 1783 Italian opera "Caro Mio Ben," composed by Giuseppe Tommaso Giovanni Giordani. The aria is a classic piece of vocal training that fittingly shows off her full range — taking us back to the earliest days of her vocal teachings.

Hip-Hop & R&B

Midway through the album on "SPAGHETTII" Beyoncé announces, "I ain't no regular singer, now come get everythin' you came for," landing right where expectations have confined her: in the throes of a romping beat, experimenting with sounds that blend hip-hop with R&B and soul. The track notably highlights the talent of Nigerian American singer/rapper Shaboozey, who also shows up to the rodeo on "SWEET HONEY BUCKIN'" brandishing his unique mix of hip-hop, folk-pop, and country music. 

Beyoncé worked with longtime collaborator Raphael Saadiq on this album, a career legend in the R&B industry, who lends his mark to several tracks on which he wrote, produced, and played multiple instruments. Beyoncé also utilizes the Louisiana songwriter Willie Jones on "JUST FOR FUN," an artist who draws on a contemporary blend of country, Southern rap, and R&B in the hymnal ballad. 

The violin-heavy "TYRANT" and "SPAGHETTII" both underscore hip-hop's long love affair with the classical string instrument (See: Common's "Be," and Wu Tang Clan's "Reunited" as the tip of that particular iceberg) with a blend of soulful R&B lyrics paired with beat-based instrumentalization. 

In a world quick to draw lines and label sounds, Beyoncé's COWBOY CARTER stands as a vibrant mosaic of musical influence and innovation. Ultimately, Beyoncé's COWBOY CARTER isn't seeking anyone's acceptance. As a Texan once told she didn't belong, her critical response claps back at this exclusion.  It's also a reminder that in the hands of a true artist, music is limitless.

Run The World: Why Beyoncé Is One Of The Most Influential Women In Music History

During her remarkable 83 years of life, the late Tina Turner received eight GRAMMY awards, a GRAMMY Lifetime Achievement Award, and three introductions into the GRAMMY Hall of Fame.

In this episode of GRAMMY Rewind, we travel to 1985, when Turner won a golden gramophone for one of her many iconic hits, "What's Love Got to Do with It?," in the Best Pop Vocal Performance, Female, category.

"I've been waiting for this opportunity for such a long time," she said in her acceptance speech. "I have to thank many people. And all of you that I don't get to thank, you must know that it's in my mind."

Among those "many people," Turner praised Graham Lyle and Terry Britten, who wrote the track; John Carter, her A&R "who played a wonderful part" in relaunching her career with Capitol Records in the '80s; and Roger Davies, her manager, "a great man who has done a great job with her career."

Later that night, "What's Love Got To Do With It?" helped Turner win Record Of The Year; she also took home Best Rock Vocal Performance, Female, for "Better Be Good to Me." Though the 1985 ceremony marked Turner's first solo awards, she first won a GRAMMY in 1972 alongside her ex-husband, Ike Turner, for their recording of "Proud Mary."

Press play on the video above to watch Tina Turner's full acceptance speech for Best Pop Vocal Performance, Female, and remember to check back to GRAMMY.com for more new episodes of GRAMMY Rewind.

10 Essential Tina Turner Songs From the '70s: How Her Forgotten Era Set The Stage For A Dramatic Debut As A Solo Performer

“Who wants moreeeeeee?” With that teasing caption, Dua Lipa sent her more than 88 million Instagram followers into a flurry of anticipation on March 12 as she seemingly primed for a major announcement with a slideshow of behind-the-scenes snaps.

Just one day later, the three-time GRAMMY winner  announced her hotly anticipated third album, Radical Optimism, was officially on its way — complete with a May 3 release date, first look at the cover art, a complete tracklist and more. Lipa couldn’t contain her excitement about the project, punctuating her all-caps caption with a string of more than a dozen exclamation points.

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The album announcement arrives on the heels of a celebratory awards season for Lipa, who was nominated for two golden gramophones (including Song Of The Year) at the 2024 GRAMMYs for “Dance The Night” and opened the telecast with an electrifying medley of her singles “Houdini” and “Training Season.” Additionally, her disco-infused Barbie banger scored a nod for Best Original Song at the 2024 Golden Globes and three separate nominations at last year’s MTV Video Music Awards. 

Below, GRAMMY.com rounded up everything there is to know about Dua Lipa’s upcoming era of Radical Optimism.

The Pop Star Is Nearly Upstaged In Her Wet And Wild Cover Art

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In her announcement, Lipa shared the cover art for her forthcoming studio set and the result is nothing short of jaw-dropping. Shot by Tyrone Lebon, the image depicts the English Albanian pop star out at sea, her dark hair slicked back as she bobs in the ocean wearing a shiny gold ensemble with matching jewelry against a sun-streaked sky. 

However, it’s entirely possible that, upon first glance, the “Dance The Night” singer isn’t the first thing fans will notice when they see the artwork. That’s because she shares the frame with a fearsome co-star: a shark glides past her in the foreground, its fin slicing ominously through the water’s surface. 

The Tracklist Announces The “End Of An Era”

Lipa’s fans, whom she notably refers to as “my loves,” may still be obsessed with her GRAMMY-winning sophomore album Future Nostalgia, but the pop star makes it clear on Radical Optimism’s tracklist that she’s ready to turn the page. 

According to the album’s watery back cover, the 11-track studio set will kick off with opener “End of an Era” before segueing into previously released singles “Houdini” and “Training Season.” Other as-yet-unheard songs on the LP include titles like “French Exit,” “Illusion,” “Falling Forever” and closing number “Happy For You.” And unless Lipa still has a few surprises up her sleeve ahead of the album’s unveiling, it appears that, for the first time in her career, there won’t be a single collaboration or guest artist featured on the tracklist.

She Thinks Radical Optimism Is “Exactly What We Need in the World”

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Just one hour after dropping the cover art and tracklist, Lipa followed the reveal up with a video explaining the important meaning behind the album’s boldly cheery title. “I [can’t] wait for this to be yours,” she promised in the caption, adding a tidal wave emoji to punctuate her point. 

“You know what the world needs is, like, the idea of being endlessly happy,” the singer says in the clip. It’s like an overpowering feeling, I want it.” Later, she hints at the emotional throughline that threads through her upcoming body of work, revealing, “Every song does have that kind of, like, ‘through the struggle you kind of make it something optimistic’...Radical optimism, that’s exactly what we need in the world.”

The Singer’s 2021 GRAMMYs Acceptance Speech Inadvertently Sparked the Album’s Ethos

As it turns out, the emotional concept behind Radical Optimism was actually born during Lipa’s acceptance speech at the 2021 GRAMMYs, where she took home the trophy for Best Pop Vocal Album for Future Nostalgia. 

“My last GRAMMY speech, I said something just in the midst of panic,” the pop sensation says in the aforementioned video, which flashes to her grinning on the stage outside Staples Center in L.A, clutching her third golden gramophone. “One thing I’ve come to realize is how much happiness is so important,” she said at the time. 

“I felt really jaded at the end of my last album [2017’s Dua Lipa] where I felt like I only had to make sad music to feel like it mattered," she continued. "And I’m just so grateful and so honored because happiness is something that we all deserve, and that’s something that we all need in our lives.” 

Three years later, Lipa is channeling that mindset into her new music in such a bold way that she felt Radical Optimism had to be the album’s title. 

She’s Assembled A Solid Group Of Collaborators

The singer’s latest Instagram post also gave fans a peek at some of Lipa’s most trusted collaborators on Radical Optimism. “Tobias Jesso Jr. Kevin Parker. Caroline Ailin. We have Daniel L Harle,” the GRAMMY winner notes, whirling the camera around to introduce each of her producers and fellow lyricists by name before gleefully exclaiming, “We’re makin’ an album!” 

Gesso Jr, Parker, Ailin and Harle are all listed alongside Lipa in the credits of lead single “Houdini” as well as follow-up “Training Season,” so it’s a safe bet that fans will likely see their names throughout the credits when they hear Radical Optimism in full.

2024 GRAMMYs: Dua Lipa Debuts "Training Season" & Slays "Houdini" In Mesmerizing Opening Performance